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The Sonata for Two Pianos and Percussion, Sz. 110, BB 115, is a musical piece written by Hungarian composer Béla Bartók in 1937. [1] The sonata was premiered by Bartók and his second wife, Ditta Pásztory-Bartók, with the percussionists Fritz Schiesser and Philipp Rühlig at the International Society for Contemporary Music (ISCM) anniversary concert of 16 January 1938 in Basel, Switzerland ...
This article lists compositions written for piano duo. The list includes works for piano four-hands and works for two pianos. Catalogue number and date of composition are also included. Ordering is by composer surname. A list of notable performers who played and recorded these works is at List of classical piano duos (performers).
Born in New York City to Sicilian immigrants, Creston was self-taught as a composer.His work tends to be fairly conservative in style, with a strong rhythmic element. His pieces include six symphonies; a number of concertos including two violin concertos, [1] a marimba concerto, [2] (premiered by Ruth Stuber), a piano concerto, premiered by Earl Wild, concerto for two pianos and orchestra, an ...
Despite being a common grouping in jazz, saxophone, piano and percussion was an extremely rare grouping in classical music until the end of the 20th century, when Trio Accanto started commissioning works to build a repertoire for themselves.
American Song Set by Andrew Violette, for two measures in one of the songs. [237] 20 Caprices and Rhythmic Studies, by Émile Jaques-Dalcroze, in Nos. 3 and 16. [63] Concerto for Piano, Clarinet, and String Quartet by Roy Harris. [174] Hyperchromatica by Kyle Gann, in bars 4-5 and 171-172 of the movement Ride the Cosmos. [43]
Psappha (Edition: Salabert, 1975) is a musical composition for multi-percussion solo by Franco-Greek modernist composer Iannis Xenakis.The work does not include specific instrumentation, although the composer calls for three groups of wood and/or skins and three groups of metal instruments. [1]
Music for Piano 53–68 (for piano solo or in an ensemble) (1956) Dedicated to Grete Sultan. Music for Piano 69–84 (for piano solo or in an ensemble) (1956) Both collections were composed for the same Cunningham choreography, Solo Suite in Space and Time. Music for Piano 53–68 is dedicated to, and was first performed by, Grete Sultan. [5]
The following guajeo (or piano tumbao), created by Iván "Melón" Lewis is from "No me mires a los ojos" (Issac Delgado 1995). It is a prime example of one of the most critical timba piano innovations—the idea that the piano tumbao be a “hook” by which the song can be identified and that contributes greatly to the song's popularity.
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