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The Ninth Circle (Serbo-Croatian: Deveti krug / Девети круг) is a 1960 Yugoslavian film directed by France Štiglic. The story revolves around the Croatian Ustaše concentration camp named The Ninth Circle, based on the infamous Jasenovac concentration camp. It was nominated for the Academy Award for Best Foreign Language Film. [1]
Dante's Hell is divided into nine circles, the ninth circle being divided further into four rings, their boundaries only marked by the depth of their sinners' immersion in the ice; Satan sits in the last ring, Judecca. It is in the fourth ring of the ninth circle, where the worst sinners, the betrayers to their benefactors, are punished.
' evil ditches ') or Fraud is the eighth circle of Hell. [1] It is a large, funnel-shaped cavern, itself divided into ten concentric circular trenches or ditches, each called a bolgia ( Italian for 'pouch' or 'ditch').
Here, Fyers is a mercenary and member of the Ninth Circle, an international criminal organization and bank alongside such assassins like Brick, Shado and Cheshire. [4]
Leone created the character of Art the Clown, who was first featured in the short film The 9th Circle, which Leone wrote and directed. [4] The short was filmed on 35 mm in 2006 [4] and premiered at the Backseat Film Festival in 2008. Leone then wrote and directed Terrifier, another short film featuring Art that was released in 2011. [5]
In Inferno, the first cantica of Dante's Divine Comedy, Cocytus (or Treachery) is the ninth and lowest circle of The Underworld. Dante and Virgil are placed there by the giant Antaeus. There are other Giants around the rim that are chained; however Antaeus is unchained as he died before the Gigantomachy. Cocytus is referred to as a frozen lake ...
Art the Clown is a fictional character and the primary antagonist in the Terrifier franchise and related media. Created by Damien Leone, the character first appeared in the short films The 9th Circle (2008) and Terrifier (2011).
VMG Salsoul v Ciccone 824 F.3d 871 (9th Cir. 2016) is a court case that has played an important role in redefining the legal status of sampling in music under American copyright law. The case involved a claim of copyright infringement brought forth against the pop star Madonna , for sampling the horns from an early 1980s song "Ooh I Love It ...