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Pyotr Ilyich Tchaikovsky [n 1] (/ tʃ aɪ ˈ k ɒ f s k i / chy-KOF-skee; [2] 7 May 1840 – 6 November 1893) [n 2] was a Russian composer during the Romantic period. He was the first Russian composer whose music would make a lasting impression internationally.
Pyotr Ilyich Tchaikovsky's Piano Concerto No. 2 in G major, Op. 44, was written in 1879–1880 and dedicated to Nikolai Rubinstein, who had insisted he perform it at the premiere as a way of making up for his harsh criticism of Tchaikovsky's First Piano Concerto. But Rubinstein never played it, as he died in March 1881, and the work has never ...
The Piano Concerto No. 1 in B ♭ minor, Op. 23, was composed by Pyotr Ilyich Tchaikovsky between November 1874 and February 1875. [1] It was revised in 1879 and in 1888. It was first performed on October 25, 1875, in Boston by Hans von Bülow after Tchaikovsky's desired pianist, Nikolai Rubinstein, criticised the piece.
Unknown photographer. Pyotr Ilyich Tchaikovsky, 1877. A number of researchers, based on the memoirs of Nikolai Kashkin, a professor at the Moscow Conservatory, suggest that in 1877, Pyotr Ilyich Tchaikovsky made a suicide attempt and attribute it to the composer's stay in Moscow between September 11 (September 23) and September 24 (October 6), 1877.
Pyotr Ilyich Tchaikovsky. Fatum, or Фатум, meaning Fate, is a "symphonic fantasy" by Pyotr Ilyich Tchaikovsky, given the opus number 77 after his death but more representatively listed in the Tchaikovsky Handbook as TH41. It was written in 1868 and premiered the following year.
Pyotr Ilyich Tchaikovsky (top left) and The Five (counter-clockwise from bottom left): Mily Balakirev, César Cui, Alexander Borodin, Modest Mussorgsky, and Nikolai Rimsky-Korsakov In mid- to late-19th-century Russia, Pyotr Ilyich Tchaikovsky and a group of composers known as The Five had differing opinions as to whether Russian classical music ...
There he met Herman Laroche, Nikolai Rubinstein and Pyotr Ilyich Tchaikovsky. [3] He contributed music criticism primarily to the Russian Register and the Moscow Register, sometimes under the pseudonym "Nikolai Dmitriev." [2] As a critic, Kashkin would do valuable service in the promotion of Tchaikovsky's music. [4]
The Enchantress (or The Sorceress, Russian: Чародейка, romanized: Charodéyka listen ⓘ) is an opera in four acts by Pyotr Ilyich Tchaikovsky based on the libretto by Ippolit Shpazhinsky, using his drama with the same title.