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Iambic pentameter (/ aɪ ˌ æ m b ɪ k p ɛ n ˈ t æ m ɪ t ər / eye-AM-bik pen-TAM-it-ər) is a type of metric line used in traditional English poetry and verse drama.The term describes the rhythm, or meter, established by the words in each line.
John Milton's Paradise Lost, most sonnets, and much else besides in English are written in iambic pentameter. Lines of unrhymed iambic pentameter are commonly known as blank verse. [8] Blank verse in the English language is most famously represented in the plays of William Shakespeare and the great works of Milton, though Tennyson (Ulysses, The ...
Christopher Marlowe was the first English author to achieve critical fame for his use of blank verse. [4] The major achievements in English blank verse were made by William Shakespeare, who wrote much of the content of his plays in unrhymed iambic pentameter, and John Milton, whose Paradise Lost is written in blank verse.
Lines of poetry made up predominantly of iambs are referred to as iambics or as iambic verse, which is by far the most commonly used metrical verse in English. Its most important form is the 10-syllable iambic pentameter, either rhymed (as in heroic couplets and sonnets) or unrhymed (in blank verse). [35] iambic pentameter idiom idyll imagery ...
A line of iambic pentameter comprises five consecutive iambs. Iambic trimeter is the metre of the spoken verses in Greek tragedy and comedy, comprising six iambs—as one iambic metrum consisted of two iambs. In English accentual-syllabic verse, iambic trimeter is a line comprising three iambs.
Dactylic pentameter; Dactylic hexameter. Golden line; Iambic meter: any meter based on the iamb as its primary rhythmic unit. Alexandrine (iambic hexameter): a 12-syllable iambic line adapted from French heroic verse. Example: the last line of each stanza in “The Convergence of the Twain” by Thomas Hardy. [1] Czech alexandrine; French ...
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The heroic couplet is a pair of iambic pentameter lines that rime together. Frequently, the term is associated with the balanced, closed couplets that dominated English verse from roughly 1640 to 1790, [22] [23] although the form dates back to Chaucer, and remains in use often in a looser form.