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The Clarinet Works of Jörg Widmann: A Performance Guide to Fantasie for Clarinet Solo with a Survey of Unaccompanied Clarinet Repertoire and Guide to Contemporary Techniques (DMA thesis). Ohio State University. Mala, Defrim (2019). The music avangard Jörg Widmann and an analyse on his main work "The Fantasie for Clarinet Solo" (Master's thesis).
Three Pieces for Solo Clarinet is a solo instrumental work by Igor Stravinsky.The work was composed in 1918. [1] It was published in 1919, shortly after the completion of his Suite from L'Histoire du Soldat, as a thank-you gift to the philanthropist and arts patron Werner Reinhart, who was also an amateur clarinetist. [2]
Download as PDF; Printable version; In other projects ... A clarinet sonata is piece of music in sonata form for clarinet, often with piano ... clarinet solo (1971)
The sonata is now a part of the standard repertoire for clarinet and others outside of the clarinet world have embraced the piece. In 1994 it was orchestrated by Sid Ramin so that it can be played by a solo clarinet with orchestral accompaniment. [7] Yo-Yo Ma has arranged this work for cello and piano. [8]
Download as PDF; Printable version; ... In his admirably thorough study of Carl Nielsen and his music, ... In addition to the solo clarinet, the only other ...
The only wind instrument for which Felix Mendelssohn wrote any solo works is the clarinet. The famous clarinettist Heinrich Baermann and his son Carl for whom Mendelssohn composed the Konzertstücke opp. 113 and 114 (for clarinet, bassett horn and piano), were two of his close friends.
Prelude, Fugue and Riffs is a "written-out" jazz-in-concert-hall composition composed by Leonard Bernstein for a jazz ensemble featuring solo clarinet.. The title points to the union of classical music and jazz: Prelude (first movement) and Fugue (second movement) – both baroque forms – are followed immediately without a pause by a series of "riffs" (third movement), which is a jazz term ...
The first piece is in A minor and begins dreamily with hints of melancholy, but concludes with a resolution and hope in A major, looking forward to the next movement.. The second piece is in A major and is playful, upbeat, energetic and positive, with a central section modulating to F major with chromatic triplets in dialogue with the piano.
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