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Elvis Presley had the highest number of hits at the top of the Billboard number-one singles chart between January 1950 until August 1958 (10 songs) in addition, Presley remained the longest at the top of the Billboard number-one singles chart between January 1950 until August 1958 (57 weeks).
Billboard Hot 100 & Best Sellers in Stores number-one singles by decade Before August 1958 1940–1949 1950–1958 After August 1958 1958–1969 1970–1979 1980–1989 1990–1999 2000–2009 2010–2019 2020–2029 US Singles Chart Billboard magazine The Billboard Hot 100 chart is the main song chart of the American music industry and is updated every week by the Billboard magazine. During ...
Pat Boone became one of the most successful artists of the 50s with his heavily pop-influenced "covers" of R&B hits like "Two Hearts, Two Kisses (Make One Love)", "Ain't That a Shame", and "At My Front Door (Crazy Little Mama)". Boone got his fame by covering black R&B hits; his cover versions of the original artists outsold the originals.
No. Title Artist(s) 1 "Goodnight Irene" Gordon Jenkins & The Weavers: 2 "Mona Lisa" Nat King Cole with Les Baxter: 3 "Third Man Theme" Anton Karas: 4 "Sam's Song" Gary & Bing Crosby with Matty Matlock
This is a list of number-one songs in the United States during the year 1950 according to Billboard magazine. Prior to the creation of the Billboard Hot 100, Billboard published multiple singles charts each week.
Elvis Presley had four songs on the year-end top 50, the most of any artist in 1957, including "All Shook Up", the number one song of the year. Fats Domino had three songs on the year-end top 50. This is a list of Billboard magazine's top 50 singles of 1957 according to retail sales. [1]
Best of the ’50s. The 1950s welcomed a slew of car models, contributing to a postwar boom of nearly 60 million vehicles. The decade’s drivers got lots of chrome, flashy taillights, wraparound ...
The Greatest Songs of the Fifties is an album by American singer Barry Manilow, released in the United States on January 31, 2006. A significant album for Manilow, it finds the Brooklyn-born crooner taking on songs that were popular in his youth.
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