Search results
Results from the WOW.Com Content Network
In 1961, Professor Donald D. Greenwood utilized experimental methods within the field of psychoacoustics to measure the frequency resolution between critical bands within the human cochlea and develop a function correlating the anatomic location of the inner ear hair cells and the frequencies at which they are stimulated (Greenwood 1961a,b).
The cochlea is the part of the inner ear involved in hearing. ... not better in mammals than in most lizards and birds, but the upper frequency limit is – sometimes ...
In audiology and psychoacoustics the concept of critical bands, introduced by Harvey Fletcher in 1933 [1] and refined in 1940, [2] describes the frequency bandwidth of the "auditory filter" created by the cochlea, the sense organ of hearing within the inner ear.
Harbour porpoises emit sounds at two bands, one at 2 kHz and one above 110 kHz. The cochlea in these dolphins is specialised to accommodate extreme high frequency sounds and is extremely narrow at the base. Type II cochlea are found primarily in offshore and open water species of whales, such as the bottlenose dolphin. The sounds produced by ...
Humans have long cochleae, but the space devoted to each frequency range is quite large (2.5mm per octave), resulting in a comparatively reduced upper frequency limit. [2] The human cochlea has approximately 2.5 turns around the modiolus (the axis). [2]
The plan view of the human cochlea (typical of all mammalian and most vertebrates) shows where specific frequencies occur along its length. The frequency is an approximately exponential function of the length of the cochlea within the Organ of Corti. In some species, such as bats and dolphins, the relationship is expanded in specific areas to ...
This pressure wave travels along the BM of the cochlea until it reaches an area that corresponds to its maximum vibration frequency; this is then coded as pitch. [13] High frequency sounds stimulate neurons at the base of the structure and lower frequency sounds stimulate neurons at the apex. [13] This represents cochlear tonotopic organization.
The temporal theory of hearing, also called frequency theory or timing theory, states that human perception of sound depends on temporal patterns with which neurons respond to sound in the cochlea. Therefore, in this theory, the pitch of a pure tone is determined by the period of neuron firing patterns—either of single neurons, or groups as ...