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Virgil reading Aeneid, Book VI, to Augustus and Octavia, by Taillasson. In 35 BC, Augustus accorded a number of honours and privileges to Octavia, and also to his wife, Livia – previously unheard of for women in Rome. They were granted sacrosanctitas, meaning it was illegal to verbally insult them. Previously, this had only been granted to ...
The Connect with Skip Heitzig podcast is featured on OnePlace.com and Pray.com. With dozens of studies available on YouVersion, readers can find daily devotional plans covering a range of topics and specific books of the Bible, as well as a widely popular reading challenge—the 30K 30 Day Challenge, which offers a fast-paced overview of the ...
The author is identified as "James, a servant of God and of the Lord Jesus Christ" (James 1:1). James (Jacob, Hebrew: יַעֲקֹב, romanized: Ya'aqov, Ancient Greek: Ιάκωβος, romanized: Iakobos) was an extremely common name in antiquity, and a number of early Christian figures are named James, including: James the son of Zebedee, James the Less, James the son of Alphaeus, and James ...
Annunciation to Joachim and Anna, fresco by Gaudenzio Ferrari, 1544–45 (detail). The Gospel of James (or the Protoevangelium of James) [Note 1] is a second-century infancy gospel telling of the miraculous conception of the Virgin Mary, her upbringing and marriage to Joseph, the journey of the couple to Bethlehem, the birth of Jesus, and events immediately following.
The antilegomena were widely read in the Early Church and included the Epistle of James, the Epistle of Jude, 2 Peter, 2 and 3 John, the Book of Revelation, the Gospel of the Hebrews, the Epistle to the Hebrews, the Apocalypse of Peter, the Acts of Paul, the Shepherd of Hermas, the Epistle of Barnabas and the Didache.
Aspects of Mary’s character in the movie are based on passages of the New Testament (the Gospel of Matthew and the Gospel of Luke) and an early Christian text called the Proto Gospel of James.
Salome herself is clearly distinguished from "the midwife" in this infancy gospel attributed to James the Just, also known as the Protevangelion of James. The passage in Chapter XIX and XX reads, in the edition and translation by M. R. James: (Ch XIX, 3) And the midwife went forth of the cave and Salome met her.
From ancient history to the modern day, the clitoris has been discredited, dismissed and deleted -- and women's pleasure has often been left out of the conversation entirely. Now, an underground art movement led by artist Sophia Wallace is emerging across the globe to challenge the lies, question the myths and rewrite the rules around sex and the female body.