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Celtic cross stitch is a style of cross-stitch embroidery which recreates Celtic art patterns typical of early medieval Insular art using contemporary cross-stitch techniques. Celtic cross stitch typically employs rich, deep colors, intricate geometrical patterns, spirals , interlacing patterns, knotwork , alphabets, animal forms and zoomorphic ...
Cross-stitch – Form of counted-thread embroidery Upright cross stitch – This stitch creates an almost crunchy texture and can be used on both single and double canvas. [31] (Victorian) cross stitches – X or + shaped embroidery stitch; Gobelin stitch – A slanting stitch worked over two horizontal threads and one perpendicular.
It is estimated to date from ca. 200 BCE –300 CE and is worked in cotton and wool pattern darning on a woven cotton ground. It has seventy-four figures of birds, plants and mythological beings. [6] Coptic sampler fragments [7] of silk on linen in double running stitch and pattern darning have been found in Egyptian burial grounds of 400–500 ...
The earliest and most basic stitch found in kanthas is the running stitch. The predominant form of this stitch is called the phor or kantha stitch. [ 17 ] Other forms of stitches used include the Chatai or pattern darning, Kaitya or bending stitch , weave running stitch, darning stitch , Jessore stitch (a variation of the darning stitch ...
Traditionally, Assisi embroidery was rarely executed in cross-stitch but was most often in long-armed cross-stitch. Examples employing other stitches, such as Italian cross-stitch and Algerian plait stitch, are also known. The colours of thread used were red, blue, green or gold for the background and black or brown for the outlines.
On the bottom, St. Andrew sits cross legged holding a cross next to St. James, both of whom are also holding books. [13] St. James is depicted as a pilgrim, complete with a hat and staff. In his hand, he also holds a bag with a distinctive cockleshell badge, symbolic of his pilgrimage. Looking at the back of the chasuble, three scenes are ...
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