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The album art of other musicians has been influenced by Blue Note's covers, including Elvis Costello's Almost Blue (1981), whose cover is an homage to Burrell's Midnight Blue (1963), Van Morrison's The Skiffle Sessions – Live in Belfast (1998), which has a cover inspired by Blakey's Free for All (1965), and Aesop Rock's Float (2000), whose ...
A Great Day in Harlem or Harlem 1958 is a black-and-white photograph of 57 jazz musicians in Harlem, New York, taken by freelance photographer Art Kane for Esquire magazine on August 12, 1958. [1] The idea for the photo came from Esquire ' s art director, Robert Benton, rather than Kane. [2]
The album was produced by Jim West. [5] Brown was accompanied by Jimmy Rowles on piano and Eric Von Essen on bass; Rowles also sang on "Baby, Don't Quit Now". [2] [5] The album was recorded in Hollywood in May 1994. [6] [7] A classically trained vocalist, Brown decided to sing in a more natural style on A Timeless Place. [8] "
The recordings were made by the radio station WABC-FM, in 1965, for a Friday radio show called "Portraits in Jazz" with Alan Grant (né Abraham Grochowsky; 1919–2012). ). Coltrane's group played at the Half Note from March 19–April 4 [3] and again from May 4–9 [4] of that
Miles Davis' performance of "Walkin'" the title track of his album of the same year, at the first Newport Jazz Festival in 1954, announced the style to the jazz world. The quintet Art Blakey and the Jazz Messengers , fronted by Blakey and featuring pianist Horace Silver and trumpeter Clifford Brown , were leaders in the hard bop movement along ...
The following is a list of jazz albums, ... Night Train – The Oscar Peterson Trio; O. Offering: Live at Temple University – John Coltrane;
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Chet is an album by jazz trumpeter Chet Baker first released in 1959. The record is sometimes subtitled The Lyrical Trumpet of Chet Baker.Chet features performances by Baker with alto flautist Herbie Mann, baritone saxophonist Pepper Adams, pianist Bill Evans, guitarist Kenny Burrell, bassist Paul Chambers, and either Connie Kay (on six tracks) or Philly Joe Jones (on four tracks) playing drums.