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A new recording of the song was released as a single in May 1972 and became a number-one hit later that year, eventually selling over one million copies. The song came near the apex of the counterculture era [1] and, by celebrating female empowerment, became an enduring feminist anthem for the women's liberation movement. Following Reddy's ...
Adam sang the song at the 1977 National Women's Conference in Houston, and it became a feminist as well as a gay anthem promoting LGBT rights in the United States. [18] 1980: Dolly Parton "9 to 5" 9 to 5 and Odd Jobs: Created for the playful-but-anti-patriarchal comedy film 9 to 5, the song was picked up as an anthem for women working in the ...
"40", also known as "40 (How Long)", is a song by Irish rock band U2. It is the tenth and final track on their 1983 album, War.The song is noted for its live performances; guitarist the Edge and bassist Adam Clayton trade instruments during performances of it, and as it was commonly played to end their concerts, the band would leave the stage one-by-one as the audience continued to sing the ...
Stay inspired and let these 40 quotes by Dolores Huerta serve as a powerful reminder of the strength of collective action. Related: 35 Uplifting Quotes To Celebrate a Happy Labor Day 2024 40 ...
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"88 Lines About 44 Women" is a song by the new wave band the Nails. Initially recorded for their 1981 EP Hotel for Women , the song was re-recorded and released on the 1984 debut album Mood Swing . Along with the track "Let It All Hang Out", "88 Lines About 44 Women" peaked at number 46 on the US dance chart in March 1985.
15. "You cannot plow a field by turning it over in your mind. To begin, begin." —Gordon B. Hinckley. Motivational Quotes About Success. 16. “One of the differences between some successful and ...
Hannah Davies of The Guardian wrote that song feels like "a filler", and described its "body-positive pop" as sticking a "little too closely to the Meghan Trainor mould." [11] Whereas Spin magazine's Katherine St. Asaph wrote that the song's lyrics felt "forced" and described it as "where soul becomes vaguely appropriative, sub-Austin Powers ...