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The song is based on Donna Deitch's 1985 film Desert Hearts, which is an adaptation of Rule's novel. [186] "Soma" Is This It: The Strokes: Brave New World: Aldous Huxley: Refers to the fictional drug used in Brave New World. [187] "Song For Clay" A Weekend in the City: Bloc Party: Less than Zero: Bret Easton Ellis [53] "The Stand (Prophecy ...
An Appointment with Mr Yeats" by The Waterboys is an album of Yeats poems set to song. The poem "Down by the Salley Gardens" was based by Yeats on a fragment of a song he heard an old woman singing. Yeats' words have been recorded as a song by many performers. The song "A Bad Dream" by Keane is based on the poem "An Irish Airman Foresees His ...
A more common, alternate reading – and one more in keeping with what is known about Blake, his education and politics, and the times in which he lived – is that the poem simply reflects his views that the Church was an oppressor of free thought. Blake wrote the Songs of Innocence collection to reflect the innocence into which each human is ...
30. “The Nights” by Avicii. Release Year: 2014 Genre: Dance/Electronic Written by Swedish DJ Tim Bergling, better known as Avicii, this song is an ode to his father and has a surprisingly deep ...
The work follows the travails of a character named Henry who bears a striking resemblance to Berryman. But according to The Norton Anthology of Modern Poetry:. When the first volume, 77 Dream Songs, was misinterpreted as simple autobiography, Berryman wrote in a prefatory note to the sequel, "The poem then, whatever its cast of characters, is essentially about an imaginary character (not the ...
In 1969, Frank Sinatra commissioned an entire album of poems and songs by McKuen; arranged by Don Costa, it was released under the title A Man Alone: The Words and Music of Rod McKuen. The album featured the song "Love's Been Good to Me", which became one of McKuen's best-known songs. [9]
"Thanks for the Memory" (1938) is a popular song composed by Ralph Rainger with lyrics by Leo Robin. [1] It was introduced in the 1938 film The Big Broadcast of 1938 by Bob Hope and Shirley Ross, and recorded by Shep Fields and His Orchestra featuring John Serry Sr. on accordion in the film and vocals by Bob Goday on Bluebird Records (B-7318, 1937). [2]
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