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Albany Institute of History and Art, New York West Rock, New Haven: 1849: Oil on canvas: 27 + 1 ⁄ 8 in × 40 + 1 ⁄ 8 in (690 mm × 1,020 mm) New Britain Museum of American Art, Connecticut [4] Mountain Landscape: 1849: Oil on canvas: 34.6 × 48.5 cm: Brauer Museum of Art, Valparaiso, Indiana Above the Clouds at Sunrise: 1849: Oil on canvas ...
Landscape painting, also known as landscape art, is the depiction in painting of natural scenery such as mountains, valleys, rivers, trees, and forests, especially where the main subject is a wide view—with its elements arranged into a coherent composition. In other works, landscape backgrounds for figures can still form an important part of ...
Landscape with the Burial of St Serapia; Landscape with the Fall of Icarus (de Momper) Landscape with the Finding of Moses; Landscape with the Good Samaritan; Landscape with the Port of Santa Marinella; Landscape with the Temptation of Christ; Landscape with the Temptation of St Anthony (Lorrain) Landscape with the Temptation of St Anthony (Savery)
A rare example of a work painted for the artist's own pleasure rather than for a commission, it shows a view of the Het Steen estate near Brussels, which Rubens had acquired in 1635, set in an early-morning autumn landscape. He had initially intended to create a much smaller painting focusing on the house, using three small oak planks, probably ...
Art critic and well-known artist, Guy Pene Du Bois wrote,"The Pennsylvania School of Landscape Painters, whose leader is Edward W. Redfield, is our first truly national expression... It began under the influence of the technique of the French Impressionists. It has restricted itself patriotically to the painting of the typical American landscape."
Frederic Edwin Church (May 4, 1826 – April 7, 1900) was an American landscape painter born in Hartford, Connecticut.He was a central figure in the Hudson River School of American landscape painters, best known for painting large landscapes, often depicting mountains, waterfalls, and sunsets.
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Over a thousand subscriptions to a planned chromolithograph were sold; $30 for an artist's proof and $15 for a print, both in color. [4] Harper's magazine called Niagara "more widely known and admired in this country than any other picture ever painted in America". [14] The painting was shown in England and Scotland in the summer of 1857.