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Song structure is the arrangement of a song, [1] and is a part of the songwriting process. It is typically sectional , which uses repeating forms in songs. Common piece-level musical forms for vocal music include bar form , 32-bar form , verse–chorus form , ternary form , strophic form , and the 12-bar blues .
The twelve-bar blues (or blues changes) is one of the most prominent chord progressions in popular music. The blues progression has a distinctive form in lyrics, phrase, chord structure, and duration. In its basic form, it is predominantly based on the I, IV, and V chords of a key.
From the late 19th century the term ballad began to be used for sentimental songs with their origins in the early ‘Tin Pan Alley’ music industry. [5] As new genres of music, including the blues, began to emerge in the early 20th century the popularity of the genre faded, but the association with sentimentality meant led to this being used as the term for a slow love song from the 1950s onward.
'Sunshine of Your Love', Cream's best-known song, is a culmination of the British adaptation of blues into rock and also the direct precursor of Led Zeppelin and heavy metal, where this type of blues-based motivic riff and harmonic motions like A–C–G or E–G–A (as in "Whole Lotta Love") serve as the basis for a seemingly endless number ...
By the Victorian era, ballad had come to mean any sentimental popular song, especially so-called "royalty ballads". [20] Some of Stephen Foster 's songs exemplify this genre. By the 1920s, composers of Tin Pan Alley and Broadway used ballad to signify a slow, sentimental tune or love song, often written in a fairly standardized form.
"Over the Rainbow" (Arlen/Harburg) exemplifies the 20th-century popular 32-bar song. [1]The 32-bar form, also known as the AABA song form, American popular song form and the ballad form, is a song structure commonly found in Tin Pan Alley songs and other American popular music, especially in the first half of the 20th century.
Eight-bar blues progressions have more variations than the more rigidly defined twelve bar format. The move to the IV chord usually happens at bar 3 (as opposed to 5 in twelve bar); however, "the I chord moving to the V chord right away, in the second measure, is a characteristic of the eight-bar blues."
The sixteen-bar blues can be a variation on the standard twelve-bar blues or on the less common ... (in this song, ... (the verse has this sixteen bar structure, ...