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A paper fortune teller may be constructed by the steps shown in the illustration below: [1] [2] The corners of a sheet of paper are folded up to meet the opposite sides and (if the paper is not already square) the top is cut off, making a square sheet with diagonal creases.
Drawings from a three volume set of wood carvings, Ranma-Zushiki (『欄間図式』, "ranma sketches") published in 1743 by Ōoka Shunboku, featured a colored origami cube. In 1993, Yasuo Koyanagi identified the cube as the Tamatebako, and the model was published in the book "Koten-ni-miri-origami" by Satoshi Tagaki.
Two possible creators are Toshie Takahama and Mitsunobu Sonobe, who published several books together and were both members of Sōsaku Origami Gurūpu '67. The earliest appearance of a Sonobe module was in a cube attributed to Mitsunobu Sonobe in the Sōsaku Origami Gurūpu '67's magazine Origami in Issue 2 (1968). [3]
The Yoshizawa–Randlett system is a diagramming system used to describe the folds of origami models. Many origami books begin with a description of basic origami techniques which are used to construct the models. There are also a number of standard bases which are commonly used as a first step in construction.
Modular origami or unit origami is a multi-stage paper folding technique in which several, or sometimes many, sheets of paper are first folded into individual modules or units and then assembled into an integrated flat shape or three-dimensional structure, usually by inserting flaps into pockets created by the folding process. [3]
Origami tessellation is a branch that has grown in popularity after 2000. A tessellation is a collection of figures filling a plane with no gaps or overlaps. In origami tessellations, pleats are used to connect molecules such as twist folds together in a repeating fashion.
Note: Most subscribers have some, but not all, of the puzzles that correspond to the following set of solutions for their local newspaper. CROSSWORDS
Louis Hartlooper Complex [] in Utrecht (The Netherlands). Origamic architecture is a form of kirigami that involves the three-dimensional reproduction of architecture and monuments, on various scales, using cut-out and folded paper, usually thin paperboard.
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