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Blue and white ware did not accord with Chinese taste at that time, the early Ming work Gegu Yaolun (格古要論) in fact described blue as well as multi-coloured wares as "exceedingly vulgar". [16] Blue and white porcelain however came back to prominence in the 15th century with the Xuande Emperor, and again developed from that time on. [14]
Delftware forms part of the worldwide family of blue and white pottery, using variations of the plant-based decoration first developed in 14th-century Chinese porcelain, and in great demand in Europe. Delftware includes pottery objects of all descriptions, such as plates, vases, figurines and other ornamental forms and tiles. The style ...
In 1945–1949, the third stage of development of the Gzhel craft began. The use of cobalt paints on white clay was established. Master A. B. Saltykov created a special Atlas of brushstrokes to unify the style of products. The artist N. I. Bessarabova, who developed a new blue-and-white style of Gzhel products, was invited to the enterprise.
Most commonly round, they measured about 8 cm (3-1/4") in diameter, with a blue scene on white background. Larger, approximately 18.5 cm, blue on white cobalt blue decorated plates, created annually for Mother's Day, the Olympics and other commemorations. Some weren't annual issues, instead depicted scenes.
Blue Willow by Doris Gates (1940) [10] is a children's novel, a realist fictional account of the Dust Bowl and the Great Depression years that has been called "The Grapes of Wrath for children". [11] The eponymous Blue Willow plate, a gift from her great-grandmother, is the prized possession of Janey Larkin, the young daughter of a migrant ...
The earliest datable objects are blue-and-white border tiles that decorate the mausoleum in Bursa of Şehzade Mahmud, one of the sons of Bayezid II, who died in 1506–1507. [ 43 ] [ 44 ] The term 'Abraham of Kütahya ware' has been applied to all the early blue-and-white Iznik pottery as the 'Abraham of Kütahya' ewer, dating from 1510, is the ...
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