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Durga is seen as a motherly figure and often depicted as a beautiful woman, riding a lion or tiger, with many arms each carrying a weapon and often defeating demons. [2] [12] [13] [14] She is widely worshipped by the followers of the goddess-centric sect, Shaktism, and has importance in other denominations like Shaivism and Vaishnavism. [10] [15]
A modern version of Kali was featured on the cover of the first issue of feminist magazine Ms., published in 1972, with Kali's many arms symbolizing the many tasks of the contemporary American woman. [58] [59] The tongue and lips logo of the band The Rolling Stones, created in 1971, was inspired by the stuck-out tongue of Kali. [60] [61]
'four-armed') is a concept in Hindu iconography in which a deity is depicted with four arms. Several Hindu deities are often portrayed with four arms in their iconography, featured in Hindu literature. The iconography of four arms is regarded to symbolise divinity and power, as well as dominion over the four quarters of the universe. [1]
The Navadurga, the nine forms of the goddess Durga. The Matrikas, a group of seven mother-goddesses. Meenakshi, a regional form of Parvati. Kamakshi, goddess of love and devotion. Akilandeswari, found in coastal regions of India, is a goddess associated with water. [3] Annapurna, the goddess of nourishment and form of Parvati.
By most historical accounts Mārīcī is considered a goddess, but in some regions she is depicted as a male god revered among the warrior class in East Asia. [1] Mārīcī is typically depicted with multiple arms, riding a charging boar or sow, or on a fiery chariot pulled by seven horses or seven boars. She has either one head or between ...
The goddess is the central image of this mandala, which depicts scenes of dedication, ritual initiation, festive music, and dance associated with her worship. Its purpose is didactic (to teach). The mandala teaches the importance of worshipping Vasudhara primarily through the narrative of a non-believer whom she converted to belief.
Sitatapatra Tārā ("White Parasol" Tara), depicted as white with many arms, and is mainly seen as a protector; Golden Prasanna Tārā – a wrathful form, with a necklace of bloody heads and sixteen arms holding an array of weapons and Tantric attributes. A yab-yum form in which Green Tara is depicted embracing the Buddha Amoghasiddhi. [29]
Thousand-Armed Ushnishasitatapattra is a special form of the goddess Tara (Buddhism), a female form of the thousand-armed Avalokiteshvara. Her iconography is probably the most complex in the Tibetan Buddhist pantheon. The goddess has as many heads and legs as she has arms. She tramples on both human beings and animals. [1]