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Color field painting is a style of abstract painting that emerged in New York City during the 1940s and 1950s. It was inspired by European modernism and closely related to abstract expressionism, while many of its notable early proponents were among the pioneering abstract expressionists.
Abstract expressionists such as Hans Hofmann and Willem de Kooning also made extensive use of it, motivated in part by a desire to create paintings which dramatically record the action of painting itself. Still more recently, Frank Auerbach has used such heavy impasto that some of his paintings become nearly three-dimensional.
Exploring the relationship between colour combinations and texture, working intuitively using large palette knives then paring and scraping back paint revealing glimpses and stories within the larger abstract story. Heavy texture is the focus of the 2017 Paradisaea Series of seven paintings. The series is primarily abstract with the title being ...
Andrew Spence, Swivel Chairs, oil on canvas, 84" x 60", 1988. Andrew Spence (born 1947) is an American artist known for abstract paintings that combine a minimalist vocabulary with playful references to the observed world. [1][2][3] In the 1970s and 1980s, he gained recognition as one of a number of younger artists who were re-examining ...
Mernet Larsen, Intersection (after El Lissitzky), acrylic and mixed media on canvas, 46.75" x 63", 2020. Mernet Larsen (born 1940) is an American artist known for idiosyncratic, disorienting narrative paintings that depict a highly abstracted, parallel world of enigmatic and mundane scenarios. [1][2][3] Since 2000, her work has been ...
Patricia Alice Garske Still (1957–1980) Clyfford Still (November 30, 1904 – June 23, 1980) was an American painter, and one of the leading figures in the first generation of Abstract Expressionists, who developed a new, powerful approach to painting in the years immediately following World War II. Still has been credited with laying the ...
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