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A Walk in the Black Forest. Walk, Don't Run (instrumental) The War Lord (instrumental) Washington Square (composition) Watermelon Man (composition) Wheels (The String-A-Longs song) Whipped Cream (song) White Summer. Wiggle Wobble.
Instrumental rock is rock music that emphasizes musical instruments and features very little or no singing. An instrumental is a musical composition or recording without lyrics , or singing , although it might include some inarticulate vocals , such as shouted backup vocals in a big band setting.
The positions of all songs are based on week-end sale totals, from Sunday to Saturday, [4] but pre-1987 the charts were released on a Tuesday because of the need for manual calculation. [5] Since inception there have been more than 1,400 number ones; of these, instrumental tracks have topped the chart on 30 occasions for a total of 96 weeks.
Easy listening (including mood music [5]) is a popular music genre [6] [7] [8] and radio format that was most popular during the 1950s to the 1970s. [9] It is related to middle of the road (MOR) music [1] and encompasses instrumental recordings of standards, hit songs, non-rock vocals and instrumental covers of selected popular rock songs.
1967. 1968. 1969. 1970s →. The Beatles earned the most number-one hits (18 songs) and remained the longest at the top of the Billboard Hot 100 chart (55 weeks) during 1958–1969. Elvis Presley remained at the top of the Billboard number-one singles chart for 22 weeks during 1958–1969. The Supremes scored 12 number-one singles during 1958 ...
B. The Best of Nelson Riddle. A Black Man's Soul. Bossa Nova U.S.A. The Bright and the Beautiful. British Columbia Suite. Brubeck à la mode.
No dual meaning here, "Let's Get It On" is a sensual song about connection. It's set to the enticing sound of saxophones, strings, and groovy bass. Debuting during the free love movement of the ...
Abbott. Floyd Cramer (October 27, 1933 – December 31, 1997) was an American pianist who became famous for his use of melodic "whole-step" attacks. He was inducted into both the Country Music Hall of Fame [1] and the Rock and Roll Hall of Fame. His signature playing style was a cornerstone of the pop-oriented "Nashville sound" of the 1950s and ...
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