Search results
Results from the WOW.Com Content Network
In Greek mythology, Hades, the god of the Greek underworld, was the first-born son of the Titans Cronus and Rhea. He had three older sisters, Hestia , Demeter , and Hera , as well as a younger brother, Poseidon , all of whom had been swallowed whole by their father as soon as they were born.
Download as PDF; Printable version; In other projects Appearance. move to sidebar hide. Help. Children of the Greek god Hades . Subcategories. This category has only ...
The following is a family tree of gods, goddesses, and other divine and semi-divine figures from Ancient Greek mythology and Ancient Greek religion. Chaos The Void
In Greek mythology, the Greek underworld, or Hades, is a distinct realm (one of the three realms that make up the cosmos) where an individual goes after death. The earliest idea of afterlife in Greek myth is that, at the moment of death, an individual's essence ( psyche ) is separated from the corpse and transported to the underworld. [ 1 ]
The Naiad nymph Minthe, daughter of the infernal river-god Cocytus, became concubine to Hades, the lord of the Underworld and god of the dead. [9] [10] In jealousy, his wife Persephone intervened and metamorphosed Minthe, in the words of Strabo's account, "into the garden mint, which some call hedyosmos (lit. 'sweet-smelling')".
Herbert Jennings Rose, Handbook of Greek Mythology, 1928. Carl Ruck and Danny Staples, The World of Classical Myth, 1994. William Smith, Dictionary of Greek and Roman Biography and Mythology, 1870, article on Moira, ancientlibrary.com; R. G. Wunderlich (1994). The secret of Crete. Efstathiadis group, Athens pp. 290–291, 295–296.
Melinoë is the protagonist of the video game Hades II, developed and published by Supergiant Games. [17] [18] [19] In the game, Melinoë is the Princess of the Underworld and sister of Zagreus, the protagonist of the first game. She seeks to defeat Chronos with help from Hecate, the Olympian gods, and other figures from Greek mythology. [20 ...
Greek mythology has changed over time to accommodate the evolution of their culture, of which mythology, both overtly and in its unspoken assumptions, is an index of the changes. In Greek mythology's surviving literary forms, as found mostly at the end of the progressive changes, it is inherently political, as Gilbert Cuthbertson (1975) has argued.