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Pines of Rome (Italian: Pini di Roma), P 141, is a tone poem in four movements for orchestra completed in 1924 by the Italian composer Ottorino Respighi. It is the second of his three tone poems about Rome , following Fontane di Roma (1916) and preceding Feste Romane (1928).
An offstage instrument or choir part in classical music is a sound effect used in orchestral and opera which is created by having one or more instrumentalists (trumpet players, also called an "offstage trumpet call", horn players, woodwind players, percussionists, other instrumentalists) from a symphony orchestra or opera orchestra play a note, melody, or rhythm from behind the stage, or ...
The third and youngest child of Giuseppe and Ersilia (née Putti) Respighi, he had a middle class upbringing with his sister Amelia; his brother Alberto died at age nine. [3] Giuseppe, a postal worker, was an accomplished pianist who studied the instrument with Stefano Golinelli and taught music at the Accademia Filarmonica di Bologna . [ 4 ]
Respighi_Pines_of_the_Appian_way.oga (Ogg Vorbis sound file, length 5 min 20 s, 132 kbps, file size: 5.04 MB) This is a file from the Wikimedia Commons . Information from its description page there is shown below.
The orchestration calls for an average-sized orchestra of 3 flutes (3rd doubling piccolo), 2 oboes, English horn, 2 clarinets in A/B♭, 2 bassoons, 3 horns in D (doubling 2 horns in E/F), 2 trumpets in A/D (doubling trumpet in C), 3 trombones, 3 timpani, celesta, harpsichord 4-hands, harp and strings.
The solitary practice of musique concrète composition did not suit a system that involved three operators: one in charge of the machines, a second controlling the mixing desk, and third to provide guidance to the others. Because of this the synthesiser and desk were combined and organised in a manner that allowed it to be used easily by a ...
aside three hours and write your answers to the questions in Part Three. Whatever your choice, enjoy the journey! THE TURNING POINT The idea started on New Year’s Day in 1980, when my boyfriend (now my husband), Tim, and I woke up in our flat in London. We’d been working in the U.K. for less than a year and living together only a couple of
Roman Festivals (Italian: Feste Romane), P 157 is a tone poem in four movements for orchestra completed in 1928 by the Italian composer Ottorino Respighi. [1] It is the last of his three tone poems about Rome, following Fountains of Rome (1916) and Pines of Rome (1924), which he referred to as a triptych. [2]