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Giuseppe Verdi. The following is a list of published compositions by the composer Giuseppe Verdi (1813–1901).. The list includes original creations as well as reworkings of the operas (some of which are translations, for example into French or from French into Italian) or subsequent versions of completed operas.
Giuseppe Fortunino Francesco Verdi (/ ˈ v ɛər d i / VAIR-dee, Italian: [dʒuˈzɛppe ˈverdi]; 9 or 10 October 1813 – 27 January 1901) was an Italian composer best known for his operas. He was born near Busseto , a small town in the province of Parma , to a family of moderate means, receiving a musical education with the help of a local ...
La traviata (Italian: [la traviˈaːta,-aˈvjaː-]; The Fallen Woman) [1] [2] is an opera in three acts by Giuseppe Verdi set to an Italian libretto by Francesco Maria Piave.It is based on La Dame aux camélias (1852), a play by Alexandre Dumas fils, which he adapted from his own 1848 novel.
Pages in category "Operas by Giuseppe Verdi" The following 30 pages are in this category, out of 30 total. This list may not reflect recent changes. A. Aida;
Falstaff (Italian pronunciation:) is a comic opera in three acts by the Italian composer Giuseppe Verdi.The Italian-language libretto was adapted by Arrigo Boito from the play The Merry Wives of Windsor and scenes from Henry IV, Part 1 and Part 2, by William Shakespeare.
Aida (or Aïda, Italian:) is a tragic opera in four acts by Giuseppe Verdi to an Italian libretto by Antonio Ghislanzoni.Set in the Old Kingdom of Egypt, it was commissioned by Cairo's Khedivial Opera House and had its première there on 24 December 1871, in a performance conducted by Giovanni Bottesini.
Jérusalem is a grand opera in four acts by Giuseppe Verdi.The libretto was to be an adaptation and partial translation of the composer's original 1843 Italian opera, I Lombardi alla prima crociata.
Giuseppe Verdi. Verdi had read the ultra-Romantic play in April 1844, probably introduced to it by his friend Andrea Maffei who had written a synopsis. [2] A letter to Francesco Maria Piave (with whom he had worked on both Ernani and I due Foscari) had included the subject of Attila as opera number 10 on a list of nine other possible projects, [3] and in that same letter, he encouraged Piave ...
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