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The melody is similar to "Miss Lucy Long" and was originally set for piano accompaniment, [3] although "De Blue Tail Fly" was marketed in Boston as one of "Emmett's Banjo Melodies". [20] The four-part chorus favors a single bass and three tenors: the first and third tenors harmonize in thirds with the second completes the triads or doubles the ...
2. Fritos 'Munch-A-Bunch' Song Commercial (1979) You're chilling on a Saturday morning, your favorite cartoons are on, and then comes this jingle that just makes you want to dance: "Muncha buncha ...
The tune features in part of the instrumental accompaniment to the 1925 Buster Keaton film Battling Butler. In his 1933 novel, Hizzoner the Mayor , Joel Sayre wrote of boats "tooting the official Malta welcome blast to the tempo of 'Shave-and-a-haircut-two-bits, shave-and-a-haircut-two-bits, shave-and-a-haircut-two-bits ' ", which was soon ...
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Free Spirit ("She's a Free Spirit") – Steve Dorff and John Bettis; French and Saunders – Rowland Rivron; The Fresh Beat Band ("The Fresh Beat Band!") – Matter Music (Sung by Yvette Gonzalez-Nacer, Thomas Hobson, Shayna Rose/Tara Perry, and Jon Beavers) Fresh Beat Band of Spies – Peter Zizzo
Songs that embody high levels of remembrance or catchiness are literally known as "catchy songs" or "earworms". [1] While it is hard to scientifically explain what makes a song catchy, there are many documented techniques that recur throughout catchy music, such as repetition , hooks and alliteration .
In 1978, Karmen, the "King of Jingles," [1] [5] was thought to be the highest-paid jingle writer in advertising, charging a $10,000 minimum initial creative fee. [ 15 ] [ 20 ] [ 25 ] Karmen's reputation for quality work and a quick turnaround, as well as his promise not to work for his clients' competitors, gave him the success needed to set ...
This is an A–Z list of jazz tunes which have been covered by multiple jazz artists. It includes the more popular jazz standards, lesser-known or minor standards, and many other songs and compositions which may have entered a jazz musician's or jazz singer's repertoire or be featured in the Real Books, but may not be performed as regularly or as widely as many of the popular standards.
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