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A piece of silk charmeuse fabric showing the shiny, satin front and dull, matte back. Charmeuse (/ ʃ ɑːr ˈ m uː z,-ˈ m uː s /; French:; French for 'female charmer') is a lightweight fabric woven with a satin weave. These float threads give the front of the fabric a smooth, shiny finish, whereas the back has a dull finish.
Chemise, linen, c.1790-1810. The Metropolitan Museum of Art Costume Institute: 2009.300.392.. A chemise or shift is a classic smock type of women's undergarment or dress. . Historically, a chemise was a simple garment worn next to the skin to protect clothing from sweat and body oils, the precursor to the modern shirts commonly worn in Western
The girls wear gowns of striped fabric trimmed with bands of black, with linen chemises and partlets. Infantas Isabella Clara Eugenia and Catalina Micaela of Spain wear miniature versions of adult costume, including gown with hanging sleeves and Spanish farthingales, c. 1571. Their skirts appear to have tucks to allow them to be let down as the ...
The flaring chemise sleeves of striped or embroidered fabric are uniquely Spanish at this time, but the small cap and wrapped braid of hair are common to both Spain and Italy. 1490 portrait of a lady features the sheer pointed partlet worn over the gown that was popular in Italy at this time. This woman wears a small cap with a brim on the back ...
The ruff, which was worn by men, women and children, evolved from the small fabric ruffle at the neck of the shirt or chemise. Ruffs served as changeable pieces of cloth that could themselves be laundered separately while keeping the wearer's doublet or gown from becoming soiled at the neckline. The stiffness of the garment forced upright ...
] The complexity and high quality of luxurious silk fabrics caused Italy to become the most important and superior manufacturer of the finest silk fabrics for all of Europe. [ citation needed ] The almost sculptural lines of the fashions during the Renaissance were paired perfectly with the exquisite beauty and elegance of brocade, damask, and ...
Silk brocades and velvets in bold floral patterns based on pomegranate and thistle or artichoke motifs remained fashionable for those who could afford them, although they were often restricted to kirtles, undersleeves and doublets revealed beneath gowns of solid-coloured fabrics or monochromatic figured silks. Yellow and red were fashionable ...
Bizarre silks were woven on the drawloom, and the colorful patterns were brocaded or created with floating pattern wefts ().At the height of the fashion, the average repeat of a bizarre silk pattern was 27 inches (69 cm) high and ten inches (26 cm) wide, repeating twice across the width of the fabric. [4]
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