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Mohan Rakesh (8 January 1925 – 3 December 1972) was one of the pioneers of the Nai Kahani ("New Story") literary movement of the Hindi literature in India in the 1950s. He wrote the first modern Hindi play, Ashadh Ka Ek Din (One Day in Aashad) (1958), which won a competition organised by the Sangeet Natak Akademi.
The Bachitra Natak Granth is a part of the Dasam Granth, but the Dasam Granth is not solely the Bachitra Natak Granth. The confusion arises from the fact that many compositions within the Dasam Granth mention the words "Bachitra Natak Likhyate," [6] but there is more to the Dasam Granth than just the Bachitra Natak.
Agamas are the main scriptures followed by Jains as preached by Tirthankars. Both Shwetambar and Digambar sects believe in 12 Agamas. Both also believe that the 12th Agama Drishtivaad (Dṛṣṭivāda) was lost over a period of time and realised the need to turn the oral tradition to written. While Digambaras believed that all the 12 Agamas ...
Rehitnama Chaupa Singh Chibber quotes various lines from Bachitar Natak, 33 Swiayey, Chaupai Sahib, Jaap Sahib. [20] In 1711, Sri Gur Sobha was written by the poet Senapat and mentioned a conversation of Guru Gobind Singh and Akal Purakh, and written three of its Adhyay on base of Bachitar Natak. [21]
Mannu Bhandari (3 April 1931 – 15 November 2021) was an Indian author, screenplay writer, teacher, and playwright. Primarily known for her two Hindi novels, Aap Ka Bunty (Your Bunty) and Mahabhoj (Feast), Bhandari also wrote over 150 short stories, several other novels, screenplays for television and film, and adaptations for theater.
A new serial named Kahani Chandrakanta Ki was started in 2011 on Sahara One TV Channel, based on Khatri's next novel in the Chandrakanta series named Chandrakanta Santati (story about Chandrakanta's sons) by the director Sunil Agnihotri, with same degree of deviations from the original Devki Nandan Khatri novel.
"Idgah" tells the story of a four-year-old orphan, named Hamid who lives with his grandmother Amina. Hamid, the protagonist of the story, has recently lost his parents; however, his grandmother tells him that his father has gone to earn money , and he will come back with sackloads of silver.
In addition to this dramatic corpus, Gargi's short stories began to be published in English. A book, Folk Theatre of India, published in New York City and two semi-autobiographical novels in English and Punjabi, The Naked Triangle (Nangi Dhup) and The Purple Moonlight (Kashni Vehra) brought him to the forefront of cosmopolitan attention.