Search results
Results from the WOW.Com Content Network
Following a fatal duel the young Trotta transfers from the socially elite Uhlans to a less prestigious Jäger regiment. Baron Trotta's infantry unit then suppresses an industrial strike in a garrison town. Awareness of the aftermath of his professional brutality begins Lieutenant von Trotta's disillusionment with empire. He is killed, bravely ...
Margarethe von Trotta (German: [maʁɡaˈʁeːtə fɔn ˈtʁɔta] ⓘ) (born 21 February 1942, Berlin, Germany) [1] is a German film director, screenwriter, and actress. She has been referred to as a "leading force" of the New German Cinema movement. [2] [3] Von Trotta's extensive body of work has won awards internationally. [2]
The Lost Honour of Katharina Blum, or: How violence develops and where it can lead (German original title: Die Verlorene Ehre der Katharina Blum oder: Wie Gewalt entstehen und wohin sie führen kann) is a 1975 West German political drama film based on Heinrich Böll's 1974 novel of the same name, adapted for the screen and directed by Volker Schlöndorff and Margarethe von Trotta.
Pioneering female filmmaker Margarethe von Trotta will receive this year’s lifetime achievement honor at the 35th European Film Awards. The German director and screenwriter has been a force on ...
At the 38th Venice International Film Festival, von Trotta won the Golden Lion and the FIPRESCI awards, while the actresses who played the title sisters tied for Best Actress. In 1982, the film won the Outstanding Feature Film Award in West Germany, and von Trotta received a special award commemorating the 40th anniversary of the Federal ...
Franz Rath, the veteran German DoP known for his collaborations with directors such as Volker Schlöndorff and Margarethe Von Trotta, has died aged 88, according to the German Society of ...
Leading arthouse sales company the Match Factory has acquired the rights to “Bachmann & Frisch,” a biopic about the radical Austrian writer and poet Ingeborg Bachmann, directed by Venice ...
New German Cinema (German: Neuer Deutscher Film) is a period in West German cinema which lasted from 1962 to 1982, [2] in which a new generation of directors emerged who, working with low budgets, and influenced by the French New Wave and Italian Neorealism, gained notice by producing a number of "small" motion pictures that caught the attention of art house audiences.