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Underground Network is Anti-Flag's third studio album, released on Fat Wreck Chords in 2001. [3] Widely considered to be the band's breakthrough album, it helped make Anti-Flag a household name in the U.S. punk scene with tracks such as "Underground Network," "Bring Out Your Dead," and "Stars and Stripes."
"Next to You" is a song by American singer Chris Brown, featuring Canadian singer Justin Bieber included as a track on the former's fourth studio album, F.A.M.E., released on June 21, 2011. Brown co-wrote the song with frequent collaborator Sevyn Streeter of American girl group RichGirl, and
"Next to You, Next to Me" is a song written by Robert Ellis Orrall and Curtis Wright, and recorded by American country music group Shenandoah. It was released in June 1990 as the lead-off single from their album Extra Mile. It was a Number One hit in both the United States [1] and Canada.
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A guitar solo is a melodic passage, instrumental section, or entire piece of music, pre-written (or improvised) to be played on a classical, electric, or acoustic guitar.In 20th and 21st century traditional music and popular music such as blues, swing, jazz, jazz fusion, rock and heavy metal, guitar solos often contain virtuoso techniques and varying degrees of improvisation.
"Charleston" rhythm, simple rhythm commonly used in comping. [1] Play example ⓘ. In jazz, comping (an abbreviation of accompaniment; [2] or possibly from the verb, to "complement") is the chords, rhythms, and countermelodies that keyboard players (piano or organ), guitar players, or drummers use to support a musician's improvised solo or melody lines.
"Next to You" is the last song The Police played live together. When Sting originally presented the song to his bandmates, they felt it was neither aggressive nor political enough for the band's early punk sensibility. Andy Summers and Stewart Copeland suggested replacing the lyrics, with Summers offering "I'm going to take a gun to you". Sting ...
"Wake Up (Next to You)" is a song written by British rock musician Graham Parker and performed by Graham Parker and the Shot. Inspired by Smokey Robinson, the song was crucial in convincing Elektra Records to allow Parker and producer William Wittman to record a full album. The song is also notable for Parker's breathy singing and its lush ...