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The Yellow House: Van Gogh, Gauguin, and Nine Turbulent Weeks in Provence. New York: Mariner Books, 2008. ISBN 0-618-99058-5; Margolis Maurer, Naomi. The Pursuit of Spiritual Wisdom: Thought and Art of Vincent van Gogh and Paul Gauguin. Madison, NJ: Fairleigh Dickinson University Press, 1998. ISBN 0-8386-3749-3; Naifeh, Steven; Smith, Gregory ...
Paul Gauguin (1848–1903) was a leading 19th-century Post-Impressionist artist, painter, sculptor, printmaker, ceramist and writer.His bold experimentation with color directly influenced modern art in the 20th century while his expression of the inherent meaning of the subjects in his paintings, under the influence of the cloisonnist style, paved the way to Primitivism and the return to the ...
Merahi metua no Tehamana (English Tehamana Has Many Parents or The Ancestors of Tehamana) is an 1893 painting by the French artist Paul Gauguin, currently in the collection of the Art Institute of Chicago. [1] The painting is a portrait of Paul Gauguin's wife Teha'amana during his first visit to Tahiti in 1891–1893. This marriage has always ...
Paul Gauguin's maternal grandmother, Flora Tristan, was the illegitimate daughter of Thérèse Laisnay and Don Mariano de Tristan Moscoso. Details of Thérèse's family background are not known; Don Mariano came from an aristocratic Spanish family from the Peruvian city of Arequipa. He was an officer of the Dragoons. [10]
Soyez amoureuses vous serez heureuses (Be In Love and You Will Be Happy) is a bas-relief wood panel carved and polychromed by French artist Paul Gauguin in the autumn of 1889. Gauguin depicts himself in the upper right, sucking his thumb and grasping the hand of the fleshy nude woman, a Polynesian or African, who seems to recoil in fear. [1]
Study of a Nude, or Suzanne Sewing is an 1880 painting made by Paul Gauguin in Paris. It is currently in the collection of the Ny Carlsberg Glyptotek in Copenhagen . [ 1 ] [ 2 ] The painting depicts a young woman who is arranging a garment in undisguised nakedness.
The death of PÅmare V not long after Gauguin's arrival, as well as Gauguin's witnessing of a public execution by guillotine several years earlier, are both thought to have informed the work; [1] Gauguin would later write in Noa Noa , a collage book which includes a photograph of Arii Matamoe (Noa Noa was compiled after Gauguin's stay in Tahiti ...
In 1888 and 1889 Gauguin's enthusiasm for Japanese ukiyo-e woodcuts emerged. Japanese prints appeared in the background of his Apple and Vase painting, his portrait of The Schuffenecker Family and also Still Life with Head-Shaped Vase and Japanese Woodcut, which depicts an ukiyo-e portrait of an actor.