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The song's title is borrowed from a hymn that was popular in the nineteenth century American South with fasola singers. “Gethsemane”, written by English clergyman Thomas Haweis in 1792, begins with the lines “Dark was the night, cold was the ground / on which my Lord was laid.” [3] Music historian Mark Humphrey describes Johnson's composition as an impressionistic rendition of ...
"Dark Was the Night, Cold Was the Ground" (Columbia 14303-D) "I Know His Blood Can Make Me Whole" (Columbia 14276-D) "If I Had My Way I'd Tear the Building Down" ("Oh ...
Blind Willie Johnson was born on January 25, 1897, in Pendleton, Texas, a small town near Temple, Texas, to sharecropper Dock Johnson and Mary King. [2] His family, which according to the blues historian Stephen Calt included at least one younger brother (named Carl), moved to the agriculturally rich community of Marlin, where Johnson spent most of his childhood.
Folk music: 7:37 India: Bhairavi: Jaat Kahan Ho: Traditional Kesarbai Kerkar (vocals) with harmonium, tanpura and tabla accompaniment: Recorded in Bombay, April 1953 Hindustani Shastriya Sangeet (Indian classical music) 3:30 United States: Dark Was The Night, Cold Was The Ground: Blind Willie Johnson: Blind Willie Johnson (slide guitar, vocals)
As of May 2012, Dark Was the Night has raised over $1.6 million, a sum that represents all the profits from worldwide sales. John Carlin acknowledged the reason for the album's success, saying "Dark Was the Night encapsulated the spirit and creativity of a new generation of musicians whose work struck a chord and got people to actually purchase the album and raise hundreds of thousands of ...
Cooder based this soundtrack and title song "Paris, Texas" on Blind Willie Johnson's "Dark Was the Night (Cold Was the Ground)", which he described as "the most soulful, transcendent piece in all American music". [15] Musician Dave Grohl has declared Cooder's score for Paris, Texas one of his favorite albums. [16]
"It's Nobody's Fault but Mine" was one of the first songs recorded by Johnson for Columbia Records.The session took place in Dallas, Texas, on December 3, 1927. [3] Columbia released it as his second single on the then-standard 78 rpm record format, with "Dark Was the Night, Cold Was the Ground" as the second side. [5]
The box set attempts to present a history of the blues from the dawning of recorded music to the present day. It offers a survey of many different blues subgenres and tangential music styles, as well as a survey of almost all the most notable blues performers over time.
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