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Cut-out tissue paper patterns were included around 1881. [2] In the United States, Report of Fashion and Mirror of Fashions was founded in 1827, and by 1840 included patterns for men's clothing. [2] From the 1830s on, shops in England advertised paper sewing patterns for sale, initially for professional dressmakers but also available for home ...
Janet Arnold (6 October 1932 – 2 November 1998) was a British clothing historian, costume designer, teacher, conservator, and author.She is best known for her series of works called Patterns of Fashion, which included accurate scale sewing patterns, used by museums and theatres alike.
The Great Male Renunciation (French: Grande Renonciation masculine) is the historical phenomenon at the end of the 18th century in which wealthy Western men stopped using bright colors, elaborate shapes and variety in their dress, which were left to women's clothing. Instead, men concentrated on minute differences of cut, and the quality of the ...
Western wear is a category of men's and women's clothing which derives its unique style from the clothes worn in the 19th century Wild West. It ranges from accurate historical reproductions of American frontier clothing, to the stylized garments popularized by Western film and television or singing cowboys such as Gene Autry and Roy Rogers in ...
Overview of fashion from The New Student's Reference Work, 1914. Summary of women's fashion silhouet changes, 1794–1887. The following is a chronological list of articles covering the history of Western fashion—the story of the changing fashions in clothing in countries under influence of the Western world—from the 5th century to the present.
Madeleine Vionnet was an early innovator of the bias-cut, using it to create clinging dresses that draped over the body's contours. [19] Advertisement for women's fashion at McWhirters department store, Brisbane, Australia, 1941. Through the mid-1930s, the natural waistline was often accompanied by emphasis on an empire line.
Detail from May Day by Kate Greenaway.The child in green wears a smock-frock. Liberty art fabrics advertisement showing a smocked dress, May 1888. It is uncertain whether smock-frocks are "frocks made like smocks" or "smocks made like frocks"—that is, whether the garment evolved from the smock, the shirt or underdress of the medieval period, or from the frock, an overgarment of equally ...
Ashelford, Jane: The Art of Dress: Clothing and Society 1500–1914, Abrams, 1996. ISBN 0-8109-6317-5; Baumgarten, Linda: What Clothes Reveal: The Language of Clothing in Colonial and Federal America, Yale University Press,2002. ISBN 0-300-09580-5; Black, J. Anderson and Madge Garland: A History of Fashion, Morrow, 1975. ISBN 0-688-02893-4
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