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Sampling is one of the foundations of hip hop, which emerged in the 1980s. [34] Hip hop sampling has been likened to the origins of blues and rock, which were created by repurposing existing music. [24] The Guardian journalist David McNamee wrote that "two record decks and your dad's old funk collection was once the working-class black answer ...
Ennio Morricone. This is a selected list of music artists who have covered or sampled one or more songs which were composed by the Italian composer Ennio Morricone.Over the past 7 decades, Ennio Morricone has composed over 500 scores for cinema and television, as well as over 100 classical works.
Paul's Boutique is the second studio album by the American hip hop group Beastie Boys, released on July 25, 1989, by Capitol Records.Produced by the Beastie Boys and the Dust Brothers, the album's composition makes extensive use of samples, drawn from a wide range of genres including funk, soul, rock, and jazz.
Sampledelia features "disorienting, perception-warping" manipulations of audio samples or found sounds via techniques such as chopping, looping or stretching. [2] [3] Sampladelic techniques have been applied prominently in styles of electronic music and hip hop, [4] such as trip hop, jungle, post-rock, and plunderphonics. [5]
Petter Askergren used bongo samples in his cover of Thomas Di Leva's hit "Dansa din djävul". Rage Against the Machine interpolated parts of the percussion break in their cover of "Renegades of Funk". Hip hop artists Jay-Z and Kanye West sampled the bongo drums on their track "That's My Bitch" from their 2011 collaborative album, Watch the Throne.
Hip hop does not simply draw inspiration from a range of samples, but it layers these fragments into an artistic object. If sampling is the first level of hip hop aesthetics, how the pieces or elements fit together constitute the second level. Hip hop emphasizes and calls attention to its layered nature.
Snap music (also known as snap, ringtone rap or snap rap) is a subgenre of hip hop music derived from crunk [2] that originated in southern United States in the 2000s, in Bankhead, West Atlanta, United States. [3] It achieved mainstream popularity throughout the mid-late 2000s, but declined shortly thereafter.
[29] The Vibe linked mumble rap to earlier forms of hip-hop, as well as jazz scatting. [12] For The Conversation , Adam de Paor-Evans disputed the idea that mumble rap is a reflection of laziness, suggesting instead that it is an accurate reflection of boredom resulting from the immediacy and speed of contemporary cultural life."
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