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Repeatedly, the terms artistic freedom and freedom of artistic expressions are used as synonyms. Their underlying concepts "art", "freedom" and "expression" comprise very vast fields of discussion: "Art is a very 'subtle'—sometimes also symbolic—form of expression, suffering from definition problems more than any other form."
Expression and Expressivity. Expression (Lat. expressio) in architecture implies a clear and authentic displaying of the character or personality of an individual ().The expression is often identified with the architectural movement of Expressionism, whose main starting point and aim is to present and express what has been "seen" or experienced in the inner eye of the mind, heart and soul, i.e ...
Paul Klee Notebooks is a two-volume work by the Swiss-born artist Paul Klee that collects his lectures at the Bauhaus schools in 1920s Germany and his other main essays on modern art. These works are considered so important for understanding modern art that they are compared to the importance that Leonardo's A Treatise on Painting had for ...
Lectures on Aesthetics (LA; German: Vorlesungen über die Ästhetik, VÄ) is a compilation of notes from university lectures on aesthetics given by Georg Wilhelm Friedrich Hegel in Heidelberg in 1818 and in Berlin in 1820/21, 1823, 1826 and 1828/29.
The term "dialectical theory of creativity" dates back to psychoanalyst Daniel Dervin [71] and was later developed into an interdisciplinary theory. [72] [page needed] This theory starts with the ancient concept that creativity takes place in an interplay between order and chaos. Similar ideas can be found in neuroscience and psychology.
The ancient Greek concept of art (in Greek, "techne " —the root of "technique" and "technology"), with the exception of poetry, involved not freedom of action but subjection to rules. In Rome, the Greek concept was partly shaken, and visual artists were viewed as sharing, with poets, imagination and inspiration.
Inspiration (from the Latin inspirare, meaning "to breathe into") is an unconscious burst of creativity in a literary, musical, or visual art and other artistic endeavours. The concept has origins in both Hellenism and Hebraism. The Greeks believed that inspiration or "enthusiasm" came from the muses, as well as the gods Apollo and Dionysus.
Victor Margolin, The Politics of the Artificial: Essays on Design and Design Studies, 2002; Yana Milev, D.A.: A Transdisciplinary Handbook of Design Anthropology, 2013; Michael Schulze, concept and concept of the work. The sculptural design in architectural education, Zurich vdf, Hochschulverlag AG at the ETH Zurich, 2013, ISBN 978-3-7281-3481-3