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Music history of the United States includes many styles of folk, popular and classical music. Some of the best-known genres of American music are rhythm and blues, jazz, rock and roll, rock, soul, hip hop, pop, and country. American music began with the Native Americans, the first people to populate North America.
The Latin Oratorios of Marc-Antoine Charpentier (dissertation, U. of Michigan, 1954); Music in the United States: a Historical Introduction (1969; 4th ed., 1999) (ed., with V. Perlis) An Charles Ives Celebration (Brooklyn, NY, and New Haven, CT, 1974)
The relationship between music and race is perhaps the most potent determiner of musical meaning in the United States. The development of an African American musical identity, out of disparate sources from Africa and Europe, has been a constant theme in the music history of the United States.
The eminent pianist and critic Charles Rosen saw Adorno's book The Philosophy of New Music as "largely a fraudulent presentation, a work of polemic that pretends to be an objective study." [ 76 ] Even a fellow Marxist such as the historian and jazz critic Eric Hobsbawm saw Adorno's writings as containing "some of the stupidest pages ever ...
For example, the United States bluegrass style contains elements from Anglo-Irish, Scottish, Irish, German and African instrumental and vocal traditions, which were able to fuse in the United States' multi-ethnic "melting pot" society. Some types of world music contain a mixture of non-Western indigenous styles with Western pop music elements.
Goehr, Lydia. 'The Imaginary Museum of Musical Works. An Essay in the Philosophy of Music' Oxford, 1992/2007. Kivy, P. Introduction to a Philosophy of Music, Hackett Publishing, 1989. Langer, Susanne K. 1957. Philosophy in a New Key: A Study in the Symbolism of Reason, Rite, and Art, third edition. Cambridge: Harvard University Press.
Cambridge Studies in the History and Theory of Politics; Cambridge Studies in the History of Mass Communication; Cambridge Studies in the History of the People's Republic of China; Cambridge Studies in the Theory of Democracy; Cambridge Studies on Civil Rights and Civil Liberties; Cambridge Studies on Environment, Energy and Natural Resources ...
Garland Encyclopedia of World Music, Volume 3: The United States and Canada. Garland Publishing. ISBN 0-8240-4944-6. Koskoff, Ellen (2005). Music Cultures in the United States: An Introduction. Routledge. ISBN 0-415-96589-6. Miller, James (1999). Flowers in the Dustbin: The Rise of Rock and Roll, 1947–1977. New York: Simon & Schuster.
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