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Fence is published biannually. [2] The translator and National Book Award-nominated poet Cole Swensen edits La Presse, an imprint of Fence magazine publishing contemporary French poetry in translation. Fence 's book publishing arm, Fence Books, has printed volumes by a number of younger non-traditional poets.
The Cow (Fence Books, 2006) addresses themes of abjection, filth, and disgust. It is framed by several excerpted texts, including a guide to bovine carcass disposal, as well as the Bible, and works by Gertrude Stein, Charles Baudelaire, and Marguerite Duras, a structure which Reines has described as "passing all of literature through a hamburger helper."
Rebecca Wolff (born 29 November 1967, New York City) [1] [2] is a poet, fiction writer, and the editor and creator of both Fence Magazine and Fence Books. Wolff has won the 2001 National Poetry Series Award and 2003 Barnard Women Poets Prize for her literature.
Chesterton wrote around 80 books, several hundred poems, some 200 short stories, 4,000 essays (mostly newspaper columns), and several plays. He was a literary and social critic, historian, playwright, novelist, and Catholic theologian [ 37 ] [ 38 ] and apologist , debater, and mystery writer.
Elizabeth Robinson (born 1961, Denver, Colorado) is an American poet and professor, author of twelve collections of poetry, most recently Counterpart (Ahsahta Press, 2012), [1] "Three Novels" (Omnidawn, 2011) "Also Known A," (Apogee, 2009), and The Orphan and Its Relations (Fence Books, 2008).
Sharma is the author of the poetry collections Grief Sequence (Wave Books, 2019), Undergloom (Fence Books, 2013), Infamous Landscapes (Fence Books, 2007), The Opening Question (Fence Books, 2004), which won the 2004 Fence Modern Poets Prize, and Bliss to Fill (Subpress, 2000).
Sandra Simonds is an American poet, critic and novelist.The author of eight books of poetry, her poems have been included in Best American Poetry and have appeared in literary journals including Poetry, The New Yorker, The New York Times, American Poetry Review, Ploughshares, Granta, Boston Review, and Fence.
National Book Critics Circle Board member Diego Báez has described Victor as a "globally minded, locally rooted, exceedingly brilliant poet." [10] Mandana Chaffa, a National Book Critics Circle Fellow, describes her work as "a powerful political act" that is "yet it is first and foremost a poetic act, one that is not to be missed."