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James Williamson used Nashville tuning on "Gimme Danger" [4] on Raw Power by the Stooges. Elliott Smith used a variant of Nashville tuning with a twelve-string guitar on XO for the song "Tomorrow Tomorrow." [5] Pat Metheny is known for using Nashville tuning on several occasions, notably his song "Phase Dance" from his group's debut album.
Hybrid of banjo and ukulele. Same tuning as a ukulele of the same scale. Banjolin: 4 strings 4 courses. G 3 D 4 A 4 E 5: Mandolin-banjo, Melody Banjo, banjoline, bandoline US Hybrid of mandolin and banjo but with only one string per course Banjo, Long Neck 5 strings 5 courses. E 4 B 2 E 3 G ♯ 3 B 3 "Pete Seeger" Banjo US (commissioned by Pete ...
Another common tuning for the soprano ukulele is the higher string-tension D 6 tuning (or simply D tuning), A 4 –D 4 –F ♯ 4 –B 4, one step higher than the G 4 –C 4 –E 4 –A 4 tuning. Once considered standard, this tuning was commonly used during the Hawaiian music boom of the early 20th century, and is often seen in sheet music ...
Guitar (Nashville high tuning and Joe Beck's alto guitar tuning) Pedal steel guitar (C6 tuning and E9 tuning) The standard tunings for instruments with multi-string courses, such as the twelve string guitar, eight string bass, or Colombian tiple are not considered re-entrant, as the principal strings of each course are ordered from lowest to ...
The Nashville Number System is a method of transcribing music by denoting the scale degree on which a chord is built. It was developed by Neal Matthews Jr. in the late 1950s as a simplified system for the Jordanaires to use in the studio and further developed by Charlie McCoy . [ 1 ]
Nashville tuning: E7, seventh chord subset of ninth chord. E9 tuning is a common tuning for steel guitar necks of more than six strings. It is the most common tuning for the neck located furthest from the player on a two-neck console steel guitar or pedal steel guitar while a C6 neck is the one closer to the player.
The most common way to represent the string tunings of many instruments is by a chord with all strings open. For instruments with many closely tuned strings, this is impractical, and for those with reentrant tunings it is positively misleading, so an arpeggio style may be used instead, spreading the string tunings. Recognising this, some ...
The most common slack-key tuning, called "taro patch," makes a G major chord. Starting from the standard EADGBE, the high and low E strings are lowered or "slacked" to D and the fifth string from A down to G, so the notes become DGDGBD. As the chart below shows, there are also major-chord tunings based on C, F, and D.
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