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The Last Supper (Italian: Il Cenacolo [il tʃeˈnaːkolo] or L'Ultima Cena [ˈlultima ˈtʃeːna]) is a mural painting by the Italian High Renaissance artist Leonardo da Vinci, dated to c. 1495–1498, housed in the refectory of the Convent of Santa Maria delle Grazie in Milan, Italy.
The Last Supper is the final meal that, in the Gospel accounts, Jesus shared with his apostles in Jerusalem before his crucifixion. [2] The Last Supper is commemorated by Christians especially on Holy Thursday. [3] The Last Supper provides the scriptural basis for the Eucharist, also known as "Holy Communion" or "The Lord's Supper". [4]
Work on the conservation and restoration of Leonardo da Vinci's The Last Supper mural, much of it more harmful than helpful, has been carried out over many centuries, and continues. Completed in the late 15th century by the Renaissance artist Leonardo da Vinci , the mural is located in the refectory of the Convent of Santa Maria delle Grazie ...
In April, Italian marketplace chain Eataly announced it would sponsor the latest effort to preserve Leonardo da Vinci's painting The Last Supper. It's the perfect marketing partnership: A food ...
The famed mural was also closed to the public from Feb. 26-June 9, with the double closures resulting in an 80% drop in visitors last year from 2019’s record 445,728 Leonardo admirers.
The famously long waits to see Leonardo da Vinci’s "Last Supper" are gone. Leonardo da Vinci’s ‘Last Supper’ Reopened to the Public This Week — Without the Infamous [Video] Skip to main ...
Leonardo's most famous painting of the 1490s is The Last Supper, commissioned for the refectory of the Convent of Santa Maria della Grazie in Milan. It represents the last meal shared by Jesus with his disciples before his capture and death, and shows the moment when Jesus has just said "one of you will betray me", and the consternation that ...
The Last Supper, ca. 1520, by Giampietrino, after Leonardo da Vinci, oil on canvas, in the collection of The Royal Academy of Arts, London; an accurate, full-scale copy of the original that was the main source for the twenty-year restoration of the original work (1978–1998)
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