Search results
Results from the WOW.Com Content Network
In the lore of Magic the gathering the Multiverse is a collection of planes (described somewhat like pocket universes) which are usually named after the primary planet contained within them. Travel between these planes is possible, and a few powerful beings known as "Planeswalkers" are capable of traversing between them at will.
The transitive side of magic is explored in Agrippa's De occulta philosophia, and at times it is vulgarized. Yet in Ficino and Pico and we never lose sight of magic's solemn religious purposes: the magician explores the secrets of nature so as to arouse wonder at the works of God and to inspire a more ardent worship and love of the Creator.
The Secret Lore of Magic is a book by Idries Shah on the subject of magical texts. First published in 1957, [ 1 ] it includes several major source-books of magical arts, translated from French, Latin , Hebrew and other tongues, annotated and fully illustrated with numerous diagrams, signs and characters.
This eliminates the need to place the hat on a surface, and also allows the performer to give the hat to an audience member for inspection. However, producing a rabbit from a hat using nothing but sleight of hand is a much more difficult trick. [2] This trick is also traditionally performed for children, since it is a basic trick with basic props.
Low magic is also closely associated with sorcery and witchcraft. [18] Anthropologist Susan Greenwood writes that "Since the Renaissance, high magic has been concerned with drawing down forces and energies from heaven" and achieving unity with divinity. [19] High magic is usually performed indoors while witchcraft is often performed outdoors. [20]
In fantasy, a magician may be shown wearing a pointed hat, robes, and/or a cloak. In more modern stories, a magician may be dressed similarly to a stage magician, wearing a top hat and tails, with an optional cape. Several golden hats adorned with astronomical sequences have been found in Europe.
Merlin's traditional biography casts him as an often-mad cambion, born of a mortal woman and an incubus, from whom he inherits his supernatural powers and abilities. [7] His most notable abilities commonly include prophecy and shapeshifting. Merlin matures to an ascendant sagehood and engineers the birth of Arthur through magic and intrigue. [8]
Magic in Middle-earth is the use of supernatural power in J. R. R. Tolkien's fictional Middle-earth. Tolkien distinguishes ordinary magic from witchcraft, the latter always deceptive, stating that either type could be used for good or evil .