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Traditional silhouette animation as invented by Reiniger is subdivision of cutout animation (itself one of the many forms of stop motion).It utilizes figures cut out of paperboard, sometimes reinforced with thin metal sheets, and tied together at their joints with thread or wire (usually substituted by plastic or metal paper fasteners in contemporary productions) which are then moved frame-by ...
Lotte Reiniger was born in the Charlottenburg district of Berlin on 2 June 1899 to Carl Reiniger and Eleonore Lina Wilhelmine Rakette. [4] Here, she studied at Charlottenburger Waldschule, the first open-air school, where she learned the art of scherenschnitte, the German art of silhouette, inspired by the ancient Chinese art of paper cutting and silhouette puppetry. [5]
An animation stand with a 35 mm camera. An animation stand is a device assembled for the filming of any kind of animation that is placed on a flat surface, including cel animation, graphic animation, clay animation, and silhouette animation. Traditionally, the flat surface that the animation rests on is some kind of table that the animator sits ...
Barrier-grid animation or picket-fence animation is an animation effect created by moving a striped transparent overlay across an interlaced image. The barrier-grid technique originated in the late 1890s, overlapping with the development of parallax stereography ( Relièphographie ) for 3D autostereograms .
A zoetrope is a pre-film animation device that produces the illusion of motion, by displaying a sequence of drawings or photographs showing progressive phases of that motion. A zoetrope is a cylindrical variant of the phénakisticope , an apparatus suggested after the stroboscopic discs were introduced in 1833.
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Also known as Walt Disney Animation Australia DNA Productions: United States: 1987–2006: Became Reel FX Animation Studios. DUCK Studios: United States: 1972–2015: Folded into Noble Animation. Dygra Films: Spain: 1987–2012: Energee Entertainment: Australia: 1989–2002: Fatkat: Canada: 1999–2009: Filmation: United States: 1963–1989
Ciné si (French: Cinema If) is a 1989 French silhouette animation television series conceived, written and directed by Michel Ocelot and realised at La Fabrique, consisting of short fairy tale and retrofuture stories performed by the same animated "actors".
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