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Fan art can take many forms. In addition to traditional paintings, drawings, and digital art, fan artists may also create conceptual works, sculptures, video art, livestreams, web banners, avatars, graphic designs, web-based animations, photo collages, and posters, Fan art includes artistic representations of pre-existing characters both in new contexts and in contexts that are keeping with ...
Fan studies is an academic discipline that analyses fans, fandoms, fan cultures and fan activities, including fanworks. It is an interdisciplinary field located at the intersection of the humanities and social sciences , which emerged in the early 1990s as a separate discipline, and draws particularly on audience studies and cultural studies .
The Oxford Companion to Music describes three interrelated uses of the term "music theory": The first is the "rudiments", that are needed to understand music notation (key signatures, time signatures, and rhythmic notation); the second is learning scholars' views on music from antiquity to the present; the third is a sub-topic of musicology ...
Fan fiction is the most widely known fan labor practice, and arguably one of the oldest, beginning at least as early as the 17th century. [4] [5] Fan fiction stories ("fan fic") are literary works produced by fans of a given media property, rather than the original creator.
Fans at a recital in Buenos Aires, Argentina. A fan or fanatic, sometimes also termed an aficionado, stan or enthusiast, is a person who exhibits strong interest or admiration for something or somebody, such as a celebrity, a sport, a sports team, a genre, a politician, a book, a movie, a video game or an entertainer.
Aesthetics of music is a branch of philosophy that deals with the nature of art, beauty and taste in music, and with the creation or appreciation of beauty in music. [1] In the pre-modern tradition, the aesthetics of music or musical aesthetics explored the mathematical and cosmological dimensions of rhythmic and harmonic organization.
Several fans active in science fiction and comics fandom recognized a shared interest in rock music, and the rock fanzine was born. Paul Williams and Greg Shaw were two such science fiction fans turned rock zine editors. Williams' Crawdaddy!
The term was first applied to music during the 16th century, at first to refer to the imaginative musical "idea" rather than to a particular compositional genre. Its earliest use as a title was in German keyboard manuscripts from before 1520, and by 1536 is found in printed tablatures from Spain, Italy, Germany, and France.