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Aprons of the 1920s mirror the style of the times: loose and long. Often closed with a button and adorned with needlework, many aprons styles emerged during this era and stores began selling patterns and kits to make and adorn aprons at home. [1] Aprons of this period followed the silhouette of dapper fashions—long, with no waist line.
An American Sign Language (ASL) version of A Pocket for Corduroy was released through Scholastic Corporation/Weston Woods in 2009. This version includes the original story, artwork, voice-over, music and read along captions. [5] The 2000 animated TV series Corduroy was based on A Pocket for Corduroy as well as its predecessor. [6]
The Junto, also known as the Leather Apron Club, was a club for mutual improvement established in 1727 by Benjamin Franklin in Philadelphia. The Leather Apron Club's purpose was to debate questions of morals, politics, and natural philosophy , and to exchange knowledge of business affairs.
This usage distinction is not universally observed, as the word cobbler is widely used for tradespersons who make or repair shoes. [ 2 ] [ 3 ] [ 4 ] The Oxford English Dictionary [ 5 ] says that the word cordwainer is archaic, "still used in the names of guilds, for example, the Cordwainers' Company "; but its definition of cobbler mentions ...
Woodcut of shoemakers from Frankfurt am Main, 1568. Two shoemakers in Vietnam in 1923. Shoemaking is the process of making footwear.. Originally, shoes were made one at a time by hand, often by groups of shoemakers, or cordwainers (sometimes misidentified as cobblers, who repair shoes rather than make them [citation needed]).
"Rub-a-dub-dub" is an English language nursery rhyme first published at the end of the 18th century in volume two of Hook's Christmas Box [1] under the title "Dub a dub dub" rather than "Rub a dub dub". It has a Roud Folk Song Index number of 3101.
[4] [1] They are the patron saints of cobblers, glove makers, lace makers, lace workers, leather workers, saddle makers, saddlers, shoemakers, tanners, and weavers. [ 5 ] Especially in France, but also in England and other parts of Europe, the festival of St Crispin was for centuries the occasion of solemn processions and merry-making, in which ...
The phrase is recorded in Book 35 of Pliny the Elder's Natural History as ne supra crepidam sutor iudicaret [1] ("Let the cobbler not judge beyond the crepida") and ascribed to the Greek painter Apelles of Kos. Supposedly, Apelles would put new paintings on public display and hide behind them to hear and act on their reception. [2]
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