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Breen is credited with convincing publishers to include ukulele chords on their sheet music. The Tin Pan Alley publishers hired her to arrange the chords and her name is on hundreds of examples of music from the 1920s on. [6] Her name appears as a music arranger on more pieces than any other individual. [7]
The ukulele (/ ˌ juː k ə ˈ l eɪ l i / yoo-kə-LAY-lee; from Hawaiian: ʻukulele [ˈʔukuˈlɛlɛ]), also called a uke, is a member of the lute family of instruments. The ukulele is of Portuguese origin and was popularized in Hawaii. The tone and volume of the instrument vary with size and construction. Ukuleles commonly come in four sizes ...
A contrafact is a musical composition built using the chord progression of a pre-existing song, but with a new melody and arrangement. Typically the original tune's progression and song form will be reused but occasionally just a section will be reused in the new composition. The term comes from classical music and was first applied to jazz by ...
Clifton Avon "Cliff" Edwards (June 14, 1895 – July 17, 1971), nicknamed "Ukulele Ike", was an American musician and actor. He enjoyed considerable popularity in the 1920s and early 1930s, specializing in jazzy renditions of pop standards and novelty tunes.
The use of chords labeled G 7alt can create challenges in jazz ensembles where more than one chordal instrument are playing chords (e.g., a large band with an electric guitar, piano, vibes, and/or a Hammond organ), because the guitarist might interpret a G 7alt chord as containing a ♭ 9 and ♯ 11, whereas the organ player may interpret the ...
The Tahitian ukulele (ʻukarere or Tahitian banjo) is a short-necked fretted lute with eight nylon strings in four doubled courses, native to Tahiti and played in other regions of Polynesia. This variant of the older Hawaiian ukulele is noted by a higher and thinner sound and an open back, [ 1 ] and is often strummed much faster.
The terms quartal and quintal imply a contrast, either compositional or perceptual, with traditional harmonic constructions based on thirds: listeners familiar with music of the common practice period are guided by tonalities constructed with familiar elements: the chords that make up major and minor scales, all in turn built from major and minor thirds.
His influential book The Classical Ukulele is part of Jim Beloff’s Jumpin’ Jim’s Ukulele Masters series. [3] King's repertoire ranged widely, but he is particularly noted for his interpretation of Johann Sebastian Bach. In 2008, the Journal of the Society for American Music called King "perhaps the world's only true classical 'ukulele ...
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