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In bluegrass and other music, the G run (G-run), or Flatt run [1] (presumably after Lester Flatt), is a stereotypical ending used as a basis for improvisation on the guitar. It is the most popular run in bluegrass, the second being "Shave and a Haircut". [1] The best known version, above, is a slight elaboration of the simplest form, below.
Traditional bluegrass, as the name implies, emphasizes the traditional elements of bluegrass music, and stands in contrast to progressive bluegrass.Traditional bluegrass musicians play folk songs, tunes with simple traditional chord progressions, and on acoustic instruments of a type that were played by bluegrass pioneer Bill Monroe and his Blue Grass Boys band in the late 1940s.
Lester McCumbers Oct 9, 2008 Kim Johnson banjo, Gerry Milnes, guitar; Piney Mountain, full band, by prominent pedagogue Darol Anger; Sheet music for Yew Piney Mountain here; The Digital Library of Appalachia provides online access to archival and historical materials related to the culture of the southern and central Appalachian region. The ...
The instrumental is related to Bill Monroe's "Bluegrass Breakdown", which Scruggs helped write. It [clarification needed] featured the same opening double hammer-on, but "Bluegrass Breakdown" goes to an F major chord whereas Foggy Mountain Breakdown goes to the G major chord's relative minor, an E minor chord.
1956 – The Louvin Brothers, Tragic Songs of Life. [21] 1960 – Joan Baez's version of "Silver Dagger" was included in her 1960 debut album, and song became identified with her. On her performances, Baez used a double-time acoustic guitar as accompaniment to her vocals. [25]
In bluegrass music, a banjo roll or roll is a pattern played by the banjo that uses a repeating eighth-note arpeggio – a broken chord – that by subdividing the beat 'keeps time'. "Each ["standard"] roll pattern is a right hand fingering pattern, consisting of eight (eighth) notes, which can be played while holding any chord position with ...
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