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  2. Kenny Beats - Wikipedia

    en.wikipedia.org/wiki/Kenny_Beats

    Kenny calls his studio The Cave, and beginning in March 2019, launched a YouTube series of the same name, in which he invites artists to rap 16-32 bars over a custom beat he creates during the video. Usually, the artists are people that he already has experience with, or, is already friends with. [ 12 ]

  3. All My Heroes Are Cornballs - Wikipedia

    en.wikipedia.org/wiki/All_My_Heroes_Are_Cornballs

    [19] [34] "DOTS Freestyle Remix" is a remix of JPEGMafia's performance in an episode of The Cave, a YouTube series by Kenny Beats in which he and his guests create a track on-camera. [ 30 ] [ 42 ] The boastful track features guest vocals from Buzzy Lee and Abdu Ali, a prominent sound of fire [ 34 ] [ 35 ] (from campfires which he had recorded ...

  4. Jesus Is the One (I Got Depression) - Wikipedia

    en.wikipedia.org/wiki/Jesus_Is_the_One_(I_Got...

    "Jesus Is the One (I Got Depression)" is the second collaboration between Fox and Kenny Beats after their 2018 song "Square Up". [3] The song was produced on the fifth episode of Kenny Beats' YouTube series The Cave, where he invites rappers into the studio to record a freestyle rap and creates an instrumental to go with it.

  5. Category:Song recordings produced by Kenny Beats - Wikipedia

    en.wikipedia.org/wiki/Category:Song_recordings...

    Pages in category "Song recordings produced by Kenny Beats" The following 8 pages are in this category, out of 8 total. This list may not reflect recent changes. D.

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  7. Loudpvck - Wikipedia

    en.wikipedia.org/wiki/LOUDPVCK

    Loudpvck is an electronic music project consisting of Kenny Beats (born Kenneth Blume III). [2] Originally a duo, the project also included Los Angeles-based DJ Ryan Marks until his departure in November 2017, citing his desire to work on other projects. [1]

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  9. Louie (album) - Wikipedia

    en.wikipedia.org/wiki/Louie_(album)

    Clash ' s James Mellen calls the album "a half-hour of seamless and coherent soul-tinted arrangements, beautifully chopped up and spliced together in classic Kenny Beats fashion. With nods to G-funk, jazz and psychedelia , it not only works as a stunning homage to Blume's father, but also proof that [Beats] is a producer who can do it all."