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Vermeer invents the first machine to dig, transport and replace large trees in the 1960s. The first larger round hay baler was invented by Gary Vermeer in 1971. Allis Chalmers first introduced the small round rotobaler in 1947. Vermeer begins building large trenchers to lay underground pipelines in the 1980s.
A baler or hay baler is a piece of farm machinery used to compress a cut and raked crop (such as hay, cotton, flax straw, salt marsh hay, or silage) into compact bales that are easy to handle, transport, and store. Often, bales are configured to dry and preserve some intrinsic (e.g. the nutritional) value of the plants bundled.
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An exploded-view drawing is a diagram, picture, schematic or technical drawing of an object, that shows the relationship or order of assembly of various parts. [1]It shows the components of an object slightly separated by distance, or suspended in surrounding space in the case of a three-dimensional exploded diagram.
Van Ruijven was a native of Delft and only eight years Vermeer's senior. He may have been introduced to Vermeer by his brother, Jan van Ruijven, the notary who documented Vermeer's marriage to Catharina Bolnes. [19] It is known for certain, however, that in 1657 van Ruijven lent Vermeer 200 guilders. He left 500 guilders in his will for Vermeer ...
Detail of the painting The Procuress (c. 1656), proposed self portrait by Vermeer [1] The following is a list of paintings by Johannes Vermeer (1632–1675), a Dutch Golden Age painter. After two or three early history paintings, he concentrated almost entirely on genre works, typically interiors with one or two figures. Vermeer's paintings of ...
The Milkmaid by Johannes Vermeer, exhibition catalogue fully online as PDF from The Metropolitan Museum of Art, which contains material on Portrait of a Young Woman (cat. no. 9) Notable acquisitions 1979–1980, fully digitized online as PDF from The Metropolitan Museum of Art, which contains material on Portrait of a Young Woman (pp. 41–42)
According to Arthur K. Wheelock Jr., a University of Maryland academic and curator of a Vermeer exhibit at the National Gallery of Art in Washington, this is "an assemblage that gives the image a Eucharistic character not found in the text." By putting the golden chalice against the dark background of the painting's frame and the dark crucifix ...
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