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A Heldenbaritone, also known as dramatic bass-baritone or hoher bass (high bass), is an opera singer, a German dramatic baritone. "Heldenbaritone" (Ger. "Heroic baritone) is a fach (operatic voice type) that is usually associated with the operas of Richard Wagner. It is usually sung by bass-baritones such as Hans Hotter, Theo Adam or Bryn ...
Clemens Unterreiner (born 18 March 1972) is an Austrian operatic baritone. He is professionally active internationally as well as a soloist and ensemble member of the Vienna State Opera . [ 1 ] His operatic repertoire ranges from lyric to German-Italian-French cavalier and heroic baritone roles to masses, oratorios and classical Lieder, and ...
Heldentenor Ludwig Schnorr von Carolsfeld and his wife, Malvina, in the title roles of Tristan und Isolde, 1865.. A heldentenor (German: [ˈhɛl.dn̩.teˌnoːɐ̯] ⓘ; [1] English: heroic tenor), [2] [3] [4] earlier called tenorbariton, [1] is an operatic tenor voice, most often associated with Wagnerian repertoire.
Up to this time Janssen had been known for his brilliant high range more than for his abilities as a heroic baritone, and had focused his attention on the more lyrical Wagnerian roles such as Wolfram. In Buenos Aires in 1938, as an experiment he sang his first a heavier and more demanding bass-baritone role, that of the Wanderer in Siegfried ...
The Quaker baritone David Bispham, who sang in London and New York between 1891 and 1903, was the leading American male singer of this generation. He also recorded for the gramophone. The oldest-born star baritone known for sure to have made solo gramophone discs was the Englishman Sir Charles Santley (1834–1922). Santley made his operatic ...
Operatic bass-baritones are men who sing bass-baritone roles in operas for opera companies in opera houses. Subcategories. This category has only the following ...
Operatic baritones are men who sing baritone roles in operas for opera companies in opera houses. Subcategories This category has the following 19 subcategories, out of 19 total.
Bastianini made his debut as a baritone on 17 January 1952, in Siena, as Giorgio Germont in Verdi's La traviata. His performance was not well received, and he left the stage again for a brief period of intense vocal exercise to secure the top of his voice. Upon his return just weeks later, he sang Rigoletto in Siena with success.
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