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In rhetoric, litotes (/ l aɪ ˈ t oʊ t iː z, ˈ l aɪ t ə t iː z /, US: / ˈ l ɪ t ə t iː z /), [1] also known classically as antenantiosis or moderatour, is a figure of speech and form of irony in which understatement is used to emphasize a point by stating a negative to further affirm a positive, often incorporating double negatives for effect.
Aposiopesis (/ ˌ æ p ə s aɪ. ə ˈ p iː s ɪ s /; Classical Greek: ἀποσιώπησις, "becoming silent") is a figure of speech wherein a sentence is deliberately broken off and left unfinished, the ending to be supplied by the imagination, giving an impression of unwillingness or inability to continue. [1]
Hyperbolic is an adjective describing something that resembles or pertains to a hyperbola (a curve), to hyperbole (an overstatement or exaggeration), or to hyperbolic geometry. The following phenomena are described as hyperbolic because they manifest hyperbolas, not because something about them is exaggerated.
Analogy – the use of a similar or parallel case or example to reason or argue a point. Anaphora – a succession of sentences beginning with the same word or group of words. Anastrophe – inversion of the natural word order. Anecdote – a brief narrative describing an interesting or amusing event.
Repetition is the essential comedic device and is often used in combination with other devices to reinforce them. The "callback" in comedy writing—in which a statement or theme is recalled as the punchline or close of a scene—is a classic example of the tension and release that are possible using repetition. It is also the basis for ...
A famous example of personification is the personification of Wisdom as a woman in the Book of Proverbs, [2] or natural forces in the Book of Job. [3] An early example of zoomorphism in the Hebrew Bible is when sin is likened to an animal "crouching" or "lurking" (NRSV) at Cain's door. [4]
Backside of a clay tablet from Pylos bearing the motif of the Labyrinth, an allusion to the mythological fight of Theseus and the Minotaur. In the most traditional sense, allusion is a literary term, though the word has also come to encompass indirect references to any source, including allusions in film or the visual arts. [8]
Jones notes that the mention of only the right eye makes it clear that Jesus is not meaning for this to be taken literally, as the left eye would be just as likely to lead into sin. The obvious hyperbole of this passage have led some commentators to see other difficult parts of the Sermon as hyperbole, such as Matthew 5:39 and 40. [3]