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Female villains depicted in literature. Villains are often defined by their acts of selfishness, stupidity, evilness, craziness, cruelty, and cunning. They display immoral behavior that can oppose or pervert justice.
The term villain is the universal term for characters who pose as catalysts for certain ideals that readers or observers find immoral, but the term "villainess" is often used to highlight specific traits that come with their female identity—separating them, in some aspects, from their male counterparts. The use of the female villain (or ...
Femmes fatales were standard fare in hardboiled crime stories in 1930s pulp fiction.. A femme fatale (/ ˌ f ɛ m f ə ˈ t æ l,-ˈ t ɑː l / FEM fə-TA(H)L, French: [fam fatal]; lit. ' fatal woman '), sometimes called a maneater, [1] Mata Hari, or vamp, is a stock character of a mysterious, beautiful, and seductive woman whose charms ensnare her lovers, often leading them into compromising ...
A Mary Sue is a type of fictional character, usually a young woman, who is portrayed as free of weaknesses or character flaws. [1] The character type has acquired a pejorative reputation in fan communities, [2] [3] [4] with the label "Mary Sue" often applied to any heroine who is considered to be unrealistically capable.
Erotomania, also known as de Clérambault's syndrome, [1] is a relatively uncommon paranoid condition that is characterized by an individual's delusions of another person being infatuated with them. [2]
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The "cliffhanger" scenes at the end of episodes provide many examples of female heroines bound and helpless and facing fiendish death traps. But those heroines, played by actresses such as Linda Stirling and Kay Aldridge, were often strong, assertive women who ultimately played an active part in vanquishing the villains. [citation needed]
Sociologist Anthony Synnott argues that there is a tendency in literature to represent men as villains and women as victims and argues that there is a market for "anti-male" novels with no corresponding "anti-female" market, citing The Women's Room, by Marilyn French, and The Color Purple, by Alice Walker. He gives examples of comparisons of ...