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"Vatapi Ganapatim" is a part of the series of hymns called Shodasha Ganapati kritis, a collection of songs dedicated to sixteen Ganesha icons located in shrines around Dikshitar's birthplace Thiruvarur. [1] Vatapi Ganapatim is dedicated to the image of Vatapi Ganapati of Tiruchenkattankudi in Thiruvarur district, in the Indian state of Tamil Nadu.
Hymn 5 is often skipped is in currently prevalent recitals of Mantra Pushpanjali performed after Arati. But the original scriptures of Deve have this chanted in a slow rhythm. [10] [3] [11] The mantra comes originally from Rigveda (10.081.003). It describes the only ultimate supreme truth (एकःदेवः) that created and encapsulates ...
The Gayatri mantra is cited widely in Hindu texts, such as the mantra listings of the Śrauta liturgy, and classical Hindu texts such as the Bhagavad Gita, [5] [6] Harivamsa, [7] and Manusmṛti. [8] The mantra and its associated metric form was known by the Buddha. [9] The mantra is an important part of the initiation ceremony.
Ghurye notes that the text identifying Ganesa with the Brahman and is of a very late origin, [7] while Courtright and Thapan date it to the 16th or 17th century. [8] [9]While the Ganapati Atharvaśīrṣa is a late text, the earliest mention of the word Ganapati is found in hymn 2.23.1 of the 2nd-millennium BCE Rigveda. [10]
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Ganapati (गणपति; gaṇapati), a synonym for Ganesha, is a compound composed of gaṇa, meaning "group", and pati, meaning "ruler" or "lord". [20] Though the earliest mention of the word Ganapati is found in hymn 2.23.1 of the 2nd-millennium BCE Rigveda, it is uncertain that the Vedic term referred specifically to Ganesha.
Uchchhishta Ganapati (Sanskrit: उच्छिष्ट-गणपति, Ucchiṣṭa Gaṇapati) is a Tantric aspect of the Hindu god Ganesha (Ganapati). He is the primary deity of the Uchchhishta Ganapatya sect, one of six major schools of the Ganapatyas .
Thirty-two forms of Ganesha are mentioned frequently in devotional literature related to the Hindu god Ganesha. [1] [2] [3] The Ganesha-centric scripture Mudgala Purana is the first to list them. [4] Detailed descriptions are included in the Shivanidhi portion of the 19th-century Kannada Sritattvanidhi.