Search results
Results from the WOW.Com Content Network
Playback was essentially a loosely woven concept album, divided into three acts, an overture, and an epilogue, with full-length pop songs such as "Hightower Square" and "I Wonder If Louise Is Home" linked by vocal narratives and snatches of music, including elements of jazz, acid rock, and classical music, sometimes given distorted sonic ...
The mood is inescapably optimistic, as though to exorcise the dark and wild moods of the first and second symphonies. It ends in a famous, peaceful and beautiful epilogue which makes a suitable close to the journey of the first three symphonies—which are in many ways linked, and are a cycle of their own.
An epilogue or epilog (from Greek ἐπίλογος epílogos, "conclusion" from ἐπί epi, "in addition" and λόγος logos, "word") is a piece of writing at the end of a work of literature, usually used to bring closure to the work. [1]
After the conclusion of the allegro section, the 1914 score has a long andantino section for strings and woodwinds later dismissed by Vaughan Williams as "a bad hymn tune". Finally, the original Epilogue extends to 109 bars. [11] Below is a summary of the changes made between the original and the two published versions.
A Life for the Tsar (Russian: Жизнь за царя, romanized: Zhizn za tsarya listen ⓘ) is a "patriotic-heroic tragic" opera in four acts with an epilogue by Mikhail Glinka. During the Soviet era the opera was known under the name Ivan Susanin (Russian: Иван Сусанин listen ⓘ), due to the anti-monarchist censorship.
Adam Levine is taking a trip down memory lane.. In a new clip premiering exclusively with PEOPLE on Tuesday, Jan. 28, the Maroon 5 frontman watches and reacts to clips from his 16-season run on ...
Les Misérables (1980) is a sung-through musical, based on the 1862 novel Les Misérables by French poet and novelist Victor Hugo.It premiered in Paris in 1980 and includes music by Claude-Michel Schönberg with original French lyrics by Alain Boublil and Jean-Marc Natel, as well as an English-language libretto by Herbert Kretzmer.
The final movement continues to use the main thematic material, with a short Poco largamente introduction followed by a fast, furious Allegro feroce section. A direct quotation from the first movement is used, the main climax of the piece is reached just before the epilogue in which the symphony fades into unresolved tranquility.