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A parody is a creative work designed to imitate, comment on, and/or mock its subject by means of satirical or ironic imitation.Often its subject is an original work or some aspect of it (theme/content, author, style, etc), but a parody can also be about a real-life person (e.g. a politician), event, or movement (e.g. the French Revolution or 1960s counterculture).
Parody music, or musical parody, involves changing or copying existing (usually well known) musical ideas, and/or lyrics, or copying the particular style of a composer or performer, or even a general style of music. In music, parody has been used for many different purposes and in various musical contexts: as a serious compositional technique ...
Parody film. A parody film or spoof film is a subgenre of comedy film that lampoons other film genres or films as pastiches, [1][2][3] works created by imitation of the style of many different films reassembled together. Although the subgenre is often overlooked by critics, parody films are commonly profitable at the box office. [4]
Intertextuality. Intertextuality is the shaping of a text's meaning by another text, either through deliberate compositional strategies such as quotation, allusion, calque, plagiarism, translation, pastiche or parody, [1][2][3][4][5] or by interconnections between similar or related works perceived by an audience or reader of the text. [6]
The original use of the term "parody" in music referred to re-use for wholly serious purposes of existing music. In popular music that sense of "parody" is still applicable to the use of folk music in the serious songs of such writers as Bob Dylan, but in general, "parody" in popular music refers to the humorous distortion of musical ideas or lyrics or general style of music.
This category may require frequent maintenance to avoid becoming too large. It should directly contain very few, if any, pages and should mainly contain subcategories. In contemporary usage, parody is a form of satire that imitates another work of art in order to ridicule it. Parody exists in all art media, including literature, music and cinema.
In parody, as the Court explained, the transformativeness is the new insight that readers, listeners, or viewers gain from the parodic treatment of the original work. As the Court pointed out, the words of the parody "derisively demonstrat[e] how bland and banal the Orbison [Pretty Woman] song" is.
Hustler Magazine, Inc. v. Falwell, 485 U.S. 46 (1988), is a landmark decision by the Supreme Court of the United States in which the Court held that parodies of public figures, even those intending to cause emotional distress, are protected by the First and Fourteenth Amendments to the U.S. Constitution.